Chats on Cottage and Farmhouse FurnitureHayden, Arthur
History
Chats on Cottage and Farmhouse Furniture
Hayden, Arthur
Country furniture -- England; Furniture -- England; Textile fabrics -- England
=The Decorated Type with Shelves.=--The back with shelves was a
useful addition, which, as will be seen in the earlier examples
leading up to this later development, had borne several experiments
in the way of cupboards. In this particular specimen the broken or
serpentine outline at sides of shelves is a noticeable feature, and
always adds a grace and charm to the dresser when employed by the
cabinet-maker. Another example in which this is effectively used is
illustrated on p. 123.
[Illustration:
DRESSER. EARLY JACOBEAN.
Length, 6 ft. 5 ins.; height, 7 ft. 3 ins.; depth, 1 ft. 8-1/2 ins.
DRESSER. EARLIEST DECORATED TYPE.
Date about 1670.
(_By the courtesy of Messrs. Phillips, Hitchin._)]
To return to the early-Jacobean types: two interesting pieces
are illustrated together (p. 123). That on the left, with four
legs and stretcher, has three drawers, and the upper portion or
back is ornamented by a primitive scalloped design suggestive
of the country hand. The other, on the right, has six legs and
four drawers, and the upper portion is beginning to receive
detailed treatment in regard to spacing of the shelves, and a
small cupboard on each side fills the growing need of cupboards
and drawers, a rapidly growing taste in English furniture for
domestic use as the home-life began to be more complex. About
this time nests of boxes and drawers in lac work from the East
began to be imported into this country in the better houses,
first as articles of great luxury and beauty, on account of
their colour and fine gold work, and later as being something
new and essentially utilitarian in regard to the accommodation
they afforded for the treasures the housewife wished to put away
from the prying eyes of her curious neighbours. As time went
on, the art of the cabinet-maker became more intricate. It is
not the place here to enter into the minutiæ of the development
of drawers and bureaus and cabinets, but the late eighteenth
century brought such furniture, apart from points in relation to
beauty of design, to great constructive skill. The age was one of
hidden contrivances and intricately cunning mechanism concealing
secret drawers or receptacles. Such pieces were never made for
farmhouse use; but the germ of the idea is ever present in all
furniture with indications of locked drawers and cupboards. This
is the note of intense civilisation as against the simpler modes
of primitive folk who have no bolt to their door and no lock to
guard their possessions.
Public-domain text, read in full here on John Shaqi.
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