But in general men were beginning to suspect the motives as well as to deride the practices of the Friars, to accuse them of lying against St. Francis, and to desiderate for them an actual abode of fire, resembling that of which in their favourite religious shows they were wont to present the mimic semblance to the multitude. It was they who became in England as elsewhere the purveyors of charms and the organisers of pious frauds, while the learning for which their Order had been famous was withering away into the yellow leaf of scholasticism. The Friar in general became the common butt of literary satire; and though the populace still remained true to its favourite guides, a reaction was taking place in favour of the secular as against the regular clergy in the sympathies of the higher classes, and in the spheres of society most open to intellectual influences. The monks and the London multitude were at one time united against John of Gaunt, but it was from the ranks of the secular clergy that Wyclif came forth to challenge the ascendancy of Franciscan scholasticism in his university. Meanwhile the poet who in the "Poor Parson of the Town" paints his ideal of a Christian minister--simple, poor, and devoted to his holy work,--has nothing but contempt for the friars at large, and for the whole machinery worked by them, half effete, and half spasmodic, and altogether sham. In King Arthur's time, says that accurate and unprejudiced observer the "Wife of Bath," the land was filled with fairies--NOW it is filled with friars as thick as motes in the beam of the sun. Among them there is the "Pardoner," i.e. seller of pardons (indulgences)--with his "haughty" sermons, delivered "by rote" to congregation after congregation in the self-same words, and everywhere accompanied by the self-same tricks of anecdotes and jokes,--with his Papal credentials, and with the pardons he has brought from Rome "all hot,"--and with precious relics to rejoice the hearts of the faithful, and to fill his own pockets with the proceeds: to wit, a pillowcase covered with the veil of Our Lady, and a piece of the sail of the ship in which St. Peter went out fishing on the Lake of Gennesareth. This worthy, who lays bare his own motives with unparalleled cynical brutality, is manifestly drawn from the life;--or the portrait could not have been accepted which was presented alike by Chaucer, and by his contemporary Langland, and (a century and a half later) in the plagiarism of the orthodox Catholic John Heywood. There, again, is the "Limitour," a friar licensed to beg, and to hear confession and grant absolution, within the LIMITS of a certain district. He is described by Chaucer with so much humour, that one can hardly suspect much exaggeration in the sketch. In him we have the truly popular ecclesiastic who springs from the people, lives among the people, and feels with the people. He is the true friend of the poor, and being