Chaucer's Works, Volume 6 — Introduction, Glossary, and IndexesChaucer, Geoffrey
General
Chaucer's Works, Volume 6 — Introduction, Glossary, and Indexes
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
s. 23. It will readily be understood that the M.E. vowel-sounds were
intermediate between those of Anglo-Saxon and of modern English. They can
best be understood by consulting the table at p. 42 of my Primer of English
Etymology; and, for French words, that at p. 126 of my Principles of
English Etymology, Second Series. The pronunciation of M.E. and of
Anglo-French vowels did not materially differ. Instead of here reproducing
these tables, I give the approximate pronunciation of the first eighteen
lines of the Canterbury Tales. But we must remember, that the pronunciation
of words _in a sentence_ is not always the same as when they are taken
singly, owing to the accent (or want of accent) due to their position. The
word _his_ (hiz) may have its initial _h_ aspirated, when standing alone;
but in the phrase _his shoures_, it is taken along with _shoures_, loses
its accent and its initial _h_, and becomes (iz). Words are much affected
by the manner in which they are thus grouped together. I denote this
grouping by the use of a hyphen, and mark the accented syllables by a
sloping stroke over every accented vowel; as is usual[25]. The elided final
_e_ is denoted by ('). There is no elision at the medial pause; see below
(s. 116). The medial pause is here denoted by a sloping stroke, as in the
Ellesmere MS.
Wh['a]n-dhat Apr['i]ll[*e]/ w['i]dh iz-sh['u]urez s['o]ot[*e]
dh[*e]-dr['u]uht' ov-M['a]rch[*e]/ hath-p['e]rsed t['o]o
dh[*e]-r['o]ot[*e],
[*e]nd-b['a]adhed ['e]v'ri v['e]in[*e]/ in-sw['i]ch lik['u]ur,
ov-wh['i]ch vert['y]y/ enj['e]ndred ['i]z dh[*e]-fl['u]ur,
whan-Z['e]fir['u]s ['a]ek/ w['i]dh-iz sw['e]et[*e] br['a]eth
insp['i]ired h['a]th/ in-['e]v'ri h['o]lt [*e]nd-h['a]eth
dhe-t['e]ndre kr['o]pez/ ['a]nd dhe-y['u]ngg[*e] s['u]nn[*e]
h['a]th-in dh[*e]-R['a]m/ iz-h['a]lf[*e] k['u]urs ir['u]nn[*e],
[*e]nd-sm['a]al[*e] f['u]ulez/ m['a]aken m['e]lod['i]i[*e],
dhat-sl['e]epen ['a]l dh[*e]-n['i]iht/ widh-['a]open ['i]i-[*e]--
sao-pr['i]keth h['e]m nat['y]yr[*e]/ in-h['e]r kur['a]ajez--
dhan-l['o]nggen f['o]lk/ too-g['a]on on-p['i]lgrim['a]ajez,
[*e]nd-p['a]lmerz f['o]r too-s['e]eken/ str['a]unj[*e] str['o]ndez
too-f['e]rn[*e] h['a]lwez/ k['u]uth' in-s['u]ndri l['o]ndez;
[*e]nd sp['e]siall['i]i/ from-['e]v'ri sh['i]irez ['e]nd[*e]
ov-['E]nggel['o]nd/ too-K['a]unter.br['i] dhei-w['e]nd[*e],
dh[*e]-h['a]oli bl['i]sful m['a]rtir/ f['o]r too-s['e]ek[*e]
dhat-h['e]m hath-h['o]lpen/ wh['a]n-dhat dh['e]i waer'-s['e]ek[*e].
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account