"They braced my aunt against a board To make her straight and tall, They laced her up, they starved her down, To make her light and small. They pinched her feet, they singed her hair, They screwed it up with pins-- Oh, never mortal suffered more In penance for her sins." Though Madam Coleman, a Boston Puritan, told so proudly of her grandchildren's dancing, that accomplishment, or rather integral part of a little lass's education, had not been quietly promoted in that sober city. In early years both magistrates and ministers had declaimed against it. In 1684 Increase Mather preached a strong sermon against what he termed "Gynecandrical Dancing or that which is commonly called Mixt or Promiscuous Dancing of Men and Women, be they elder or younger Persons together." He called it the great sin of the Daughters of Zion, and he bursts forth:-- "Who were the Inventors of Petulant Dancings? Learned men have well observed that the Devil was the First Inventor of the impleaded Dances, and the Gentiles who worshipped him the first Practitioners of this Art." Of course he could not be silent as to the dancings of Miriam and David in the Bible, but disposed of them summarily thus, "Those Instances are not at all to the Purpose." Preaching against dancing was as futile as against wig-wearing; "Horrid Bushes of Vanity" soon decked every head, and gay young feet tripped merrily to the sound of music in every village and town. Dancing could not be repressed in an age when there was so little other excitement, so great physical activity, and so narrow a range of conversation; and after a time "Ordination-balls" were given when a new minister was ordained. Dancing was a pleasant accomplishment, and a serious one in good society. The regard of it as a formal function is proved by the story the Marquis de Chastellux told of the Philadelphia Assembly. A young lady who was up in a country dance spoke for a moment to a friend and thus forgot her turn. The Master of Ceremonies, Colonel Mitchell, immediately came to her side and said severely: "Give over, Miss. Take care what you are about. Do you think you came here for your pleasure?" It was a much more varied art than is ordinarily taught to-day. Signor Sodi taught rigadoons and paspies in Philadelphia; John Walsh added the Spanish fandango. Other modish dances were "Allemand vally's, De la cours, Devonshire jiggs, Minuets." Complicated contra-dances were many in number and quaint in name: The Innocent Maid, A Successful Campaign, Priest's House, Clinton's Retreat, Blue Bonnets, The Orange Tree. A letter from an interesting little child shows that dancing was deemed part of a "liberal education." "PHILADELPHIA, March 30, 1739. "HONOUR'D SIR: