Catherine and Jean go roaming through the flowery meadows. As they go, Catherine gathers a nosegay. She picks blue centauries, scarlet poppies, cuckoo-flowers, and buttercups, which she also knows as _little chicks_. She picks those pretty purple blossoms that grow in hedgerows and are called Venus’ looking-glasses. She picks the dark ears of the milkwort, and crane’s-bill and lily of the valley, whose tiny white bells shed a delicious perfume at the least puff of wind. Catherine loves flowers because they are beautiful; and she loves them too because they make such pretty ornaments. She is very simply dressed, and her pretty hair is hid under a brown linen cap. She wears a cotton check pinafore over her plain frock, and goes in wooden shoes. She has never seen rich dresses except on the Virgin Mary and the St. Catherine in the parish church. But there are some things little girls know directly they are born. Catherine knows that flowers are becoming to wear, and that pretty ladies who pin nosegays in their bosoms look lovelier than ever. So she has a notion she must be very fine indeed now, carrying a nosegay bigger than her own head. Her thoughts are as bright and fragrant as her flowers. They are thoughts that cannot be put into words; there are no words pretty enough. It wants song tunes for that, the liveliest and softest airs, the sweetest songs. So Catherine sings, as she gathers her nosegay: “Away to the woods alone” and “My heart is for him, my heart is for him.” Little Jean is of another temper. He follows another line of ideas. He is a broth of a boy, he is; Jean is not breeched yet, but his spirit is beyond his years and there’s no more rollicking blade than he. While he grips his sister’s pinafore with one hand, for fear of tumbling, he shakes his whip in the other like a sturdy lad. His father’s head stableman can hardly crack his any better when he meets his sweetheart, bringing home the horses from watering at the river. Little Jean is lulled by no soft reveries. He never heeds the field flowers. The games he dreams of are stiff jobs of work. His thoughts dwell on wagons stogged in the mire and big carthorses hauling at the collar at his voice and under his lash. Catherine and Jean have climbed above the meadows, up the hill, to a high ground from which you can make out all the chimneys of the village dotted among the trees and in the far distance the steeples of six parishes. Then you see what a big place the world is. Then Catherine can better understand the stories she has been taught,--the dove from the Ark, the Israelites in the Promised Land, and Jesus going from city to city. “Let’s sit down there,” she says.