Children of ChinaBrown, C. Campbell (Colin Campbell)
General
Children of China
Brown, C. Campbell (Colin Campbell)
Children -- China -- Juvenile literature; China -- Social life and customs -- Juvenile literature
When boys and girls are born, their fortunes are told. The baby’s
father gets the child’s ‘eight characters’ written down on a piece of
paper. Two of the ‘characters’ tell the year, two the month, two the
day and two the hour when the little one came into this world; these
he takes to the man who ‘looks at people’s lives,’ who he believes can
tell from them whether the child will be fortunate or unhappy in this
world. This fortune-teller, who is very often blind, has a great deal
to do with baby’s fate. If, for instance, he says that fire enters
into its disposition, and someone else in the family has a fortune
connected with wood, then the child will surely bring bad fortune to
that person, for fire burns wood. The people believe what the blind
man says, and so poor little baby is given away, or even in some cases
put to death, to prevent its bringing trouble upon the family. When
baby grows older it is supposed to be in danger from wicked spirits.
Little gilt idols are put in its cap, to frighten away these demons,
a favourite figure being that of a roly-poly bald idol, called ‘Fat
Strength.’ When a little older, a tiny round tray, foot-measure and
pair of scissors are sewn on the front band of its cap, for the same
purpose. Coins, charms of copper and silver, and little square bags of
incense powder, with the names of idols written on them, are also hung
round children’s necks to keep away the evil spirits.
If a little one takes ill the father sometimes begs one cash from a
hundred different people among his neighbours and friends. With these
coins he has a chain made to go round the child’s neck and a padlock
to fasten it tightly. In this way he hopes, poor man, to fasten baby’s
soul firmly to its body, and so prevent it from dying. If, in spite of
this, baby gets worse, its father thinks some idol is enticing its soul
away from its little body. After finding out which idol is probably the
thief, he takes one of the child’s little garments and puts it into an
empty basket, which has a length of dry straw rope tied round it. Then
he goes to the temple, and, after offering things which he thinks will
please the idol, and make it willing to let baby’s spirit go again,
he spreads out the little jacket, believing that the tiny soul will
recognise its own garment and get into it. Then he puts the garment
carefully into his basket and lights the straw rope that it may burn
slowly, and lead the little wandering spirit safely home.[5]
In some places the father goes about with the tiny jacket hung on the
end of a stick, calling baby’s name aloud, hoping to find the little
wandering spirit in this way.
Public-domain text, read in full here on John Shaqi.
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