Children -- Books and reading; Children's literature -- Bibliography; Children's literature -- History and criticism
Thus, though the tasks performed by Goldsmith for Newbery are generally
accounted specimens of hack work, which he had to do in order to
eke out a livelihood, there is satisfaction in claiming for him two
immortal strokes, his tale of “Goody Two Shoes,” and his share in the
establishment of the Mother Goose Melodies.[25] Many a time he was
dependent upon the beneficence of his publisher, many a time rescued by
him from the hands of the bailiff. The Newbery accounts are dotted with
entries of various loans; even the proceeds of the first performances
of the “Good Natur’d Man” were handed over to Newbery to satisfy one of
his claims.
The notes accompanying the melodies, and which have no bearing upon
the child-interest in the collection, show a wit that might very well
belong to Goldsmith. He was perhaps amusing himself at the expense of
his lexicographer friend, Johnson. For instance, to the jingle, “See
saw, Margery Daw,” is appended this, taken seemingly from “Grotius”:
“It is a mean and scandalous Practice in Authors to put Notes to
Things that deserve no Notice.” And to the edifying and logical
song, “I wou’d, if I cou’d, If I cou’dn’t, how cou’d I? I cou’dn’t,
without I cou’d, cou’d I?” is attached the evident explanation from
“Sanderson”: “This is a new Way of handling an old Argument, said to be
invented by a famous Senator; but it has something in it of _Gothick_
Construction.” Assuredly the names of those learned authors, “Mope,”
credited with the “Geography of the Mind,” and “Huggleford,” writing on
“Hunger,” were intended for ridicule.
By 1777, “Mother Goose” had passed into its seventh edition, but,
though its success was largely assured, there are still to be noted
rival publications. For instance, John Marshall,[26] who later became
the publisher of Mrs. Trimmer’s works, issued some rhymes, conflicting
with the book of Melodies which Carnan, Newbery’s stepson, had
copyrighted in 1780, and had graced with a subtitle, “Sonnets for the
Cradle.” During 1842, J. O. Halliwell edited for the Percy Society,
“The Nursery Rhymes of England, collected principally from Oral
Tradition,” and he mentioned an octavo volume printed in London, 1797,
and containing some of our well-known verses. These it seems had been
first collected by the scholar, Joseph Ritson,[27] and called “Gammer
Gurton’s Garland.” The 1797 book was called “Infant Institutes,”
semi-satirical in its general plan, and was ascribed to the Reverend
Baptist Noel Turner, M.A.,[28] rector of Denton. If this was intended
to supplant Newbery’s collection, it failed in its object. However, it
is to be noted and emphasised that so varied did the editions become,
that the fate of “Mother Goose” would not have been at all fortunate
in the end, had not Monroe and Francis in Boston insisted upon the
original collection as the authentic version, _circa_ 1824. Its rights
were thus established in America.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account