Porcelain -- Collectors and collecting -- United States; Pottery -- Collectors and collecting -- United States
NIEDERWEILER STATUETTE, 275
TOMB OF FRANKLIN TEAPOT, 285
LA GRANGE PLATE, 290
CADMUS PLATE, 292
LAFAYETTE LANDING PLATTER, 294
PROSCRIBED PATRIOTS PITCHER, 302
NAVAL PITCHER, 309
PICKLE LEAF, 317
PHILADELPHIA LIBRARY PLATE, 319
ANTI-SLAVERY PLATE, 333
BALTIMORE & OHIO RAILROAD PLATES, 336
STATE-HOUSE PLATE, 338
JOHN HANCOCK’S HOUSE, 341
HARVARD COLLEGE PLATE, 348
STEAMBOAT PLATE, 350
MACDONOUGH’S VICTORY PLATE, 351
NAHANT PLATE, 354
CITY HALL PITCHER, 359
PARK THEATRE PLATE, 361
FAIRMOUNT PARK PLATE, 364
PILGRIM PLATE, 366
CAPITOL PLATE, 374
CROWN DERBY PLATE, 379
DELFT APOTHECARY JARS, 382
COPPER-LUSTRE PITCHER, 387
A BEAUFET, 415
CHINA STEPS, 419
[Illustration: [Wedgwood Pieces]]
I.
CHINA HUNTING
My dearly loved friend, Charles Lamb, wrote, in his “Essays of Elia,” “I
have an almost feminine partiality for old china. When I go to see any
great house, I inquire first for the china-closet, and next for the
picture-gallery. I have no repugnance for those little lawless
azure-tinted grotesques that, under the notion of men and women, float
about uncircumscribed by any element, in that world before perspective—a
china teacup.” In that partiality for old china I humbly join, and it is
of the search through New England for such dear old china loves, and of
the gathered treasures of those happy china hunts, that I write.
Public-domain text, read in full here on John Shaqi.
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