The British Museum has a small series from Borneo, which includes, among the older types of pottery, a jar with black-brown glaze and bands of cloud design and stiff leaves deeply incised, and an ovoid jar with many loop handles on the shoulders, two dragons in relief, and a ground of incised wave pattern all covered with a yellowish brown glaze which ends in a regularly waved line some way short of the-base. Of later make is a jar with translucent purplish brown glaze, and four circular panels with figure ornament in low relief glazed green, a type described by the Japanese as "Old Kochi."[421] There are, besides, a jar with roughly painted blue dragon designs under a crackled white glaze, the ware being a coarse porcellanous stoneware; another with enamel colours in addition to the underglaze blue including the rose pink which is not older than the eighteenth century; and another type with rough stoneware or earthen body covered with a crackled, greyish white enamel of putty-like surface on which enamel colours are coarsely painted. The typical jar which the island natives so highly prize is of the ovoid form with a number of loop handles on the shoulder and dragons in relief.[422] An unusually ornate example is shown on Plate 49. It has a cloudy green crackled glaze with dragons of both the ordinary and the archaic kind, besides storks and a bat in low relief, and there are touches of dark blue and yellow, white and brown in the glaze. It is probably of Canton make and not older than the seventeenth century. In modern times jars are made in Borneo itself by the Chinese in the coast towns. [Illustration: PLATE 53 Vase with chrysanthemum handles: buff stoneware with chrysanthemum design outlined in low relief and coloured with turquoise, green and pale yellow glazes in a dark purple ground. About 1500 A.D. Height 19½ inches. _Eumorfopoulos Collection._ ] A certain amount of Chinese pottery found its way, like the celadon porcelains in early times, by the caravan routes into Turkestan, India, Persia, and Western Asia. Such wares would be more naturally drawn from the potteries in Honan, Chihli, and the north-western provinces, and it is not surprising that the fragment found by Sir Aurel Stein in the buried cities of Turkestan should have included the brown painted wares of Tz´ŭ Chou. But the greatest difficulties in classification are presented by the miscellaneous pottery which collectors have picked up from time to time in China, or antique dealers have sent over to supply the demand created by the increasing interest taken in Chinese pottery by Western amateurs. These come, as a rule, without any hint as to their place of origin, and in most cases it is quite impossible to locate them. There are, however, certain well-defined groups which come together naturally.