Chinese pottery and porcelain; vol. 2. Ming and Ch'ing PorcelainHobson, R. L. (Robert Lockhart)
History
Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain
Hobson, R. L. (Robert Lockhart)
Porcelain, Chinese; Pottery, Chinese
The collector of Sung and Yüan wares, too, has many difficulties to
surmount. The fine imitations made from the Yung Chêng period onwards,
both in pottery and porcelain, fortunately are often marked; but
sometimes the mark has been carefully removed by grinding, and the scar
made up to look like the natural surface. The imitative wares made in
Kuangtung, at Yi-hsing, and in various Japanese factories have been
already discussed in the sections concerned; and there is pottery with
lavender blue, “old turquoise” and splashed glazes resembling the Chün
types, but made at the present day in Honan and elsewhere, which is
likely to deceive the beginner. The commonest kind has a buff earthen
body which is usually washed with a dull brown clay on the exposed
parts. But such obstacles as these add zest to the collector’s sport,
and they are not really hard to surmount if a careful study be made of
the character of authentic specimens. The eye can be easily trained to
the peculiarities both of the originals and of the various imitative
types, and no one who is prepared to take a little trouble need be
afraid of attacking this fascinating part of Chinese ceramics.
The _T’ao lu_[529] quotes an interesting note on the repairing of
antique wares: “In the _Chu ming yao_ it is stated with regard to old
porcelain (_tz’ŭ_), such as (incense-) vessels which are wanting in
handles or feet, and vases damaged at the mouth and edge, that men
take old porcelain to patch the old, adding a glazing preparation, and
giving the piece one firing. When finished it is like an old piece,
and all uniform, except that the patched part is dull in colour. But
still people prefer these specimens to modern wares. If the process of
blowing the glaze on to (the joint of the repair) is used in patching
old wares, the patch is still more difficult to trace. As for specimens
with flaws (_mao_), I am told that on the Tiger Hill in Su-chou there
are menders who have earned the name of _chin_ (close-fitters).” The
collector knows only too well that there are “close-fitters” in Europe
as well as in China.
Public-domain text, read in full here on John Shaqi.
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