Chips from a German Workshop, Volume 4: Essays Chiefly on the Science of LanguageMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 4: Essays Chiefly on the Science of Language
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
But what is still more curious is, that the author of “Barlaam and
Josaphat” has evidently taken his very hero, the Indian Prince Josaphat,
from an Indian source. In the “Lalita Vistara”--the life, though no
doubt the legendary life, of Buddha--the father of Buddha is a king.
When his son is born, the Brahman Asita predicts that he will rise to
great glory, and become either a powerful king, or, renouncing the
throne and embracing the life of a hermit become a Buddha.[44] The great
object of his father is to prevent this. He therefore keeps the young
prince, when he grows up, in his garden and palaces, surrounded by all
pleasures which might turn his mind from contemplation to enjoyment.
More especially he is to know nothing of illness, old age, and death,
which might open his eyes to the misery and unreality of life. After a
time, however, the prince receives permission to drive out; and then
follow the four drives,[45] so famous in Buddhist history. The places
where these drives took place were commemorated by towers still standing
in the time of Fa Hian’s visit to India, early in the fifth century
after Christ, and even in the time of Hiouen Thsang, in the seventh
century. I shall read you a short account of the three drives:[46]--
“One day when the prince with a large retinue was driving through
the eastern gate of the city, on the way to one of his parks, he met
on the road an old man, broken and decrepit. One could see the veins
and muscles over the whole of his body, his teeth chattered, he was
covered with wrinkles, bald, and hardly able to utter hollow and
unmelodious sounds. He was bent on his stick, and all his limbs and
joints trembled. ‘Who is that man?’ said the prince to his coachman.
‘He is small and weak, his flesh and his blood are dried up, his
muscles stick to his skin, his head is white, his teeth chatter, his
body is wasted away; leaning on his stick, he is hardly able to
walk, stumbling at every step. Is there something peculiar in his
family, or is this the common lot of all created beings?’
“‘Sir,’ replied the coachman, ‘that man is sinking under old age,
his senses have become obtuse, suffering has destroyed his strength,
and he is despised by his relations. He is without support and
useless, and people have abandoned him, like a dead tree in a
forest. But this is not peculiar to his family. In every creature
youth is defeated by old age. Your father, your mother, all your
relations, all your friends, will come to the same state; this is
the appointed end of all creatures.’
“‘Alas!’ replied the prince, ‘are creatures so ignorant, so weak and
foolish as to be proud of the youth by which they are intoxicated,
not seeing the old age which awaits them? As for me, I go away.
Coachman, turn my chariot quickly. What have I, the future prey of
old age--what have I to do with pleasure?’ And the young prince
returned to the city without going to the park.
Public-domain text, read in full here on John Shaqi.
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