One thing cannot be overlooked whilst studying the annals of these early monastic schools; it is the peculiar charm attaching to the character of the masters. Everywhere we see the same features of cheerful labour, and a certain tranquil activity. Turn to the newly converted land of Normandy, and hear how Oderic Vitalis describes the abbots and masters of his own monastery of St. Evroult. In one page he paints the good abbot Theodoric, a very skilful scribe, who managed to collect a fine library, partly by the diligent exercise of his own pen and the labours of his youths, and partly by “gentle solicitations.” Then there was Osbern, eloquent in speech, with a lively genius for sculpture, architecture, and painting. How we seem to behold him with “his stately stature, and his head, profusely covered with black hair sprinkled with grey!” He was always urging the novices to make progress in reading, singing, and writing; and loved with his own hands to make the writing implements and waxen tablets for the use of the boys. Or shall he tell us of that most promising scholar, William, who was placed in the abbey when nine years old, and was so diligent at his books, that the monks called him Gregory the Second? Not only did he make an excellent reader and chanter, and an exceedingly skilful copyist, but he was so devoted a student of the Scriptures, that he committed to his tenacious memory the Epistles of St. Paul, the Proverbs of Solomon, and many other books of either Testament.