his discovery, that he found himself obliged to leave the monastery; and accordingly, in 1024, he travelled to Rome, where Pope John XIX. warmly received both him and his newly-invented gamut. “The Pope,” he says, “having received me kindly, conversed with me for a long time, asking many questions, and turning over the leaves of my antiphonarium, seemed to think it a sort of prodigy. He conned its rules, and would not rise from his seat till he had tried to learn a verse which he had never yet heard sung, and to his great astonishment found himself able to do it.” Guy was not allowed to leave Rome till he had promised to return the next winter, and give a regular course of musical instructions to the Pope and his clergy. The sunshine of Papal favour soon dissipated the storm, but the humble religious was no way puffed up by his triumph. He only rejoiced at being able to spread the knowledge of a discovery which would be useful to others. “The designs of Providence,” he writes, “are obscure, and falsehood is sometimes suffered to oppress the truth; God so ordering it lest, puffed up with self-confidence, we should suffer loss. For then only is what we do good and useful when we refer all we do to Him who made us. God inspiring me with the knowledge, I have made it known to as many as I could, to the end that if I, and those who have gone before me, have learnt the _Cantus_ with extreme difficulty, those who come after me, doing so with greater facility, may pray for me and my fellow-labourers, that we may obtain eternal life and the remission of our sins.”