By far the greater part of his writings, however, consist of commentaries on the Holy Scriptures, in which his design is less to indulge in original speculation, than to resume the teaching of the Fathers. After the fashion of the early writers, he reproduces their metaphysical arguments, and even their words and imagery, his love of science occasionally appearing in his selections. Thus, in speaking of the Holy Trinity, he embodies in his text the beautiful illustration repeated before him by St. John Chrysostom, and other early Fathers, wherein the Three Divine Persons in one essence are compared to the form, the light, and the heat of the sun. The globular body of the sun, he says, never leaves the heavens, but its light (which he compares to the person of the Son), and its heat (to that of the Holy Ghost) descend to earth and diffuse themselves everywhere, animating the mind and kindling the heart. Yet though universally present, light never really quits the sun, for we behold it there; and heat, too, is never separated from it; and the whole is one sun, comprised within a circle, which has no end and no beginning. He shows the same analogies in other forms of nature, as in water, wherein we see the fountain, the flowing river, and the lake--all different in form, yet one in substance, and inseparable one from the other. In his treatise, _De Natura Rerum_, he not only exhibits vast erudition but often expresses himself with a certain unadorned eloquence. “Observe,” he says, “how all things are made to suit and to govern one another. See how heaven and earth are respectively adorned; heaven, by the sun, moon, and stars, and earth by its beautiful flowers, its herbs, trees, and fruits. From these men derive their food, their shining jewels, the various pictures so pleasantly woven in their hangings, their variegated colours, the sweet melody of strings and organs, the splendour of gold and silver, and the pleasant streams of water which bring us ships and set in motion our mills, together with the fragrant aroma of myrrh, and the sweet form of the human countenance.” Bede’s love of music reveals itself in a thousand passages. “Among all the sciences,” he says, “this one is most commendable, pleasing, mirthful, and lovely. It makes a man liberal, cheerful, courteous, and amiable. It rouses him to battle, enables him to bear fatigue, comforts him under labour, refreshes the disturbed mind, takes away headaches, and soothes the desponding heart.”