‘If you are disposed to go to church,’ said Frank Bracebridge, ‘I can
promise you a specimen of my cousin Simon’s musical achievements. As the
church is destitute of an organ, he has formed a band from the village
amateurs, and established a musical club for their improvement; he has
also sorted a choir, as he sorted my father’s pack of hounds, according
to the directions of Jervaise Markham, in his “Country Contentments”;
for the bass he has sought out all the “deep solemn mouths,” and for the
tenor the “loud ringing mouths,” among the country bumpkins; and for
“sweet mouths” he has culled with curious taste among the prettiest
lasses in the neighbourhood; though these last, he affirms, are the most
difficult to keep in tune.’
As the morning, though frosty, was remarkably fine and clear, the most
of the family walked to the church, which was a very old building of
grey stone, and stood near a village, about half a mile from the park
gate. Adjoining it was a low snug parsonage, which seemed coeval with
the church. As we passed this sheltered nest, the parson issued forth
and preceded us.
I had expected to see a sleek, well-conditioned pastor, such as is often
found in a snug living in the vicinity of a rich patron’s table; but I
was disappointed. The parson was a little, meagre, black-looking man,
with a grizzled wig that was too wide, and stood off from each ear; so
that his head seemed to have shrunk away within it, like a dried filbert
in its shell. He wore a rusty coat, with great skirts, and pockets that
would have held the church Bible and prayer-book; and his small legs
seemed still smaller, from being planted in large shoes decorated with
enormous buckles.
I was informed by Frank Bracebridge that the parson had been a chum of
his father’s at Oxford, and had received this living shortly after the
latter had come to his estate. He was a complete black-letter hunter,
and would scarcely read a work printed in the Roman character. The
editions of Caxton and Wynkin de Worde were his delight; and he was
indefatigable in his researches after such old English writers as have
fallen into oblivion from their worthlessness. He had pored over these
old volumes so intensely, that they seemed to have been reflected into
his countenance indeed; which, if the face be an index of the mind,
might be compared to a title-page of black-letter.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account