The lights of the Bowery glow like a myriad twinkling stars upon
the ceaseless flood of humanity that surges ever through the great
highway of the homeless. They shine upon long rows of lodging-houses,
in which hundreds of young men, cast helpless upon the reef of the
strange city, are learning their first lessons of utter loneliness;
for what desolation is there like that of the careless crowd when all
the world rejoices? They shine upon the tempter setting his snares
there, and upon the missionary and the Salvation Army lass, disputing
his catch with him; upon the police detective going his rounds with
coldly observant eye intent upon the outcome of the contest; upon
the wreck that is past hope, and upon the youth pausing on the verge
of the pit in which the other has long ceased to struggle. Sights
and sounds of Christmas there are in plenty in the Bowery. Balsam
and hemlock and fir stand in groves along the busy thoroughfare, and
garlands of green embower mission and dive impartially. Once a year
the old street recalls its youth with an effort. It is true that it
is largely a commercial effort; that the evergreen, with an instinct
that is not of its native hills, haunts saloon-corners by preference;
but the smell of the pine woods is in the air, and--Christmas is not
too critical--one is grateful for the effort. It varies with the
opportunity. At "Beefsteak John's" it is content with artistically
embalming crullers and mince-pies in green cabbage under the window
lamp. Over yonder, where the mile-post of the old lane still
stands,--in its unhonored old age become the vehicle of publishing the
latest "sure cure" to the world,--a florist, whose undenominational
zeal for the holiday and trade outstrips alike distinction of creed and
property, has transformed the sidewalk and the ugly railroad structure
into a veritable bower, spanning it with a canopy of green, under which
dwell with him, in neighborly good-will, the Young Men's Christian
Association and the Jewish tailor next door.
In the next block a "turkey-shoot" is in progress. Crowds are trying
their luck at breaking the glass balls that dance upon tiny jets of
water in front of a marine view with the moon rising, yellow and big,
out of a silver sea. A man-of-war, with lights burning aloft, labors
under a rocky coast. Groggy sailormen, on shore leave, make unsteady
attempts upon the dancing balls. One mistakes the moon for the target,
but is discovered in season. "Don't shoot that," says the man who loads
the guns; "there's a lamp behind it." Three scared birds in the window
recess try vainly to snatch a moment's sleep between shots and the
trains that go roaring overhead on the elevated road. Roused by the
sharp crack of the rifles, they blink at the lights in the street, and
peck moodily at a crust in their bed of shavings.
Public-domain text, read in full here on John Shaqi.
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