The dime museum gong clatters out its noisy warning that "the lecture"
is about to begin. From the concert hall, where men sit drinking beer
in clouds of smoke, comes the thin voice of a short-skirted singer,
warbling, "Do they think of me at home?" The young fellow who sits
near the door, abstractedly making figures in the wet track of the
"schooners," buries something there with a sudden restless turn, and
calls for another beer. Out in the street a band strikes up. A host
with banners advances, chanting an unfamiliar hymn. In the ranks
marches a cripple on crutches. Newsboys follow, gaping. Under the
illuminated clock of the Cooper Institute the procession halts, and
the leader, turning his face to the sky, offers a prayer. The passing
crowds stop to listen. A few bare their heads. The devoted group, the
flapping banners, and the changing torch-light on upturned faces, make
a strange, weird picture. Then the drum-beat, and the band files into
its barracks across the street. A few of the listeners follow, among
them the lad from the concert hall, who slinks shamefacedly in when he
thinks no one is looking.
Down at the foot of the Bowery is the "panhandlers' beat," where
the saloons elbow one another at every step, crowding out all other
business than that of keeping lodgers to support them. Within call of
it, across the square, stands a church which, in the memory of men
yet living, was built to shelter the fashionable Baptist audiences
of a day when Madison Square was out in the fields, and Harlem had a
foreign sound. The fashionable audiences are gone long since. To-day
the church, fallen into premature decay, but still handsome in its
strong and noble lines, stands as a missionary outpost in the land of
the enemy, its builders would have said, doing a greater work than they
planned. To-night is the Christmas festival of its English-speaking
Sunday-school, and the pews are filled. The banners of United Italy,
of modern Hellas, of France and Germany and England, hang side by side
with the Chinese dragon and the starry flag--signs of the cosmopolitan
character of the congregation. Greek and Roman Catholics, Jews and
joss-worshippers, go there; few Protestants, and no Baptists. It is
easy to pick out the children in their seats by nationality, and as
easy to read the story of poverty and suffering that stands written in
more than one mother's haggard face, now beaming with pleasure at the
little ones' glee. A gayly decorated Christmas tree has taken the place
of the pulpit. At its foot is stacked a mountain of bundles, Santa
Claus's gifts to the school. A self-conscious young man with soap-locks
has just been allowed to retire, amid tumultuous applause, after
blowing "Nearer, My God, to Thee" on his horn until his cheeks swelled
almost to bursting. A trumpet ever takes the Fourth Ward by storm.
A class of little girls is climbing upon the platform. Each wears a
capital letter on her breast, and has a piece to speak that begins
Public-domain text, read in full here on John Shaqi.
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