Even the ordinary clock-hammer, striking on the upper side of the rim
of the bell, often has the same effect; and for the same reason. But
in both cases there is a remedy, if put in hand at once and after
consulting a good bell-hanger, namely, that of “quarter-turning,” or
turning the bell round through one quarter of its circumference, so
that the clapper may strike on a place at right angles to the old one,
if that has become worn.
[Illustration: _Plate 38._
PART OF A SEVENTEENTH CENTURY BELL BY HENRY OLDFIELD OF NOTTINGHAM.
The lettering is an imitation of mediaeval types, but the ornament is
characteristic of the later period. (See pages 106, 112).]
If, however, a bell has once become hopelessly cracked, there is no
remedy but recasting into a new one; though it is said that a cracked
bell in Dorset was successfully repaired by a Norwegian artificer
about fifteen years ago, and where he has succeeded, others may yet.
Nevertheless it is only too common for bells to be re-cast when there
is no necessity. Perhaps one bell is broken, or it is desired to
increase the number of the bells, and the founder, with a pardonable
eye to business, suggests that all the old bells should be melted down,
in order to have an entirely new ring, guaranteed in tune with each
other. And thus disappears many an interesting and valuable old bell,
perfectly sound and well-toned. It does not follow that because a bell
is old its tone is inferior to a new one, or that it cannot be fitted
into a new ring. Rather, the contrary is the case, and tone improves
and mellows with age.
Public-domain text, read in full here on John Shaqi.
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