Philip Astley died in Paris, at the ripe age of seventy-two, in
1814,—the year in which the celebrated Ducrow made his first appearance
on the stage as Eloi, the dumb boy, in the _The Forest of Bondy_. The
Amphitheatre was conducted, after the death of its founder, by his son,
John Astley, in conjunction with Davis; but not without opposition. The
Surrey had ceased to present equestrian performances under the
management of Elliston; but in 1815, on his lease expiring, it was taken
by Dunn, Heywood, and Branscomb, who were encouraged by the success of
Astley to convert it into a circus. The experiment was not, however, a
successful one.
In the following year, Vauxhall Gardens assumed the form and character
by which they were known to the present generation; and the celebrated
Madame Saqui was engaged for a tight-rope performance, in which she had
long been famous in Paris. She was then in her thirty-second year, and
even then far from prepossessing, her masculine cast of countenance and
development of muscle giving her the appearance of a little man, rather
than of the attractive young women we are accustomed to see on the
_corde elastique_ in this country. Her performance created a great
sensation, however, and she was re-engaged for the two following
seasons. She mounted the rope at midnight, in a dress glistening with
tinsel and spangles, and wearing a nodding plume of ostrich feathers on
her head; and became the centre of attraction for the thousands who
congregated to behold her ascent from the gallery, under the brilliant
illumination of the fireworks that rained their myriads of sparks around
her.
Public-domain text, read in full here on John Shaqi.
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