the latter characteristic is to miss not only a salient feature of the
original but to obscure the significance of a dominant factor in the
evolution of Gaelic artistry.
That Campbell, like Islay, felt the paramount necessity of endeavouring
to reproduce the formal characteristics of his Gaelic text is certain;
like Islay, he too, had the true scholar’s regard for his matter.
To put down what he heard, to comment upon what he found, was his
practice. It seems obvious, but many collectors neglect it all the
same. Nor in his essays at interpretation is he other than in full
sympathy with his subject. He not only understands but himself
possesses the mythopoeic faculty, and if this is endowed with a wider
knowledge, a more refined culture than belonged to the Gaelic bards
who first gave these songs and stories their present shape, or to
the peasants and fishermen who lovingly repeat them, it differs in
degree only, not in kind. It may be doubted that the framers of the
_Muileartach_ consciously embodied the conceptions which Campbell has
read into the old poem (_Waifs and Strays_, IV. pp. 131–135), but I
think it certain that he does but give shape with the precision of a a
higher culture to ideas which, with them, never emerged from the stage
of mythic realisation.
THE PRESENT WORK.
Most of the matter contained in the present volume had been partially,
if not definitely, prepared for press by the author. The choice and
arrangement are largely due to his sister, Mrs. Wallace, his devoted
fellow-worker. Still it must not be forgotten that we have here a
collection of posthumous remains which have not enjoyed the benefit of
the author’s final shaping and revision. But it has been judged best by
the editors of the series to preserve these remains substantially as
they were left, with a minimum of indispensable revision. The volume
may lose in other respects, but it is, at all events, the work of the
author and not of his editor friends. The latter have felt that regard
for the genuineness of Mr. Campbell’s text was the first of their
duties towards his memory.
Public-domain text, read in full here on John Shaqi.
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