American drama -- 20th century; College graduates -- Drama; Depressions -- 1929 -- United States -- Drama
TED. There is no arbitrary rule about it. Brown is a better color
for me.
TIPPY. [_Looks at watch._] If we're going to have any party, I'd
better clear up my work. I have a delivery to make now. [_Goes to
yard._]
KATE. If you want to change the hat, darling, go ahead. The store's
open until seven.
TED. Are you sure you wouldn't mind?
TIPPY. [_Re-enters from yard, carrying small dog in his arms._]
Didn't realize it was getting so late. I'll be back as soon as I
can. [_He goes._]
KATE. I think, Ted, that gray gives your face more life, [TED _puts
hat on again, and surveys himself before the mirror_, KATE _views
him in critical admiration, readjusts his hat several times, and
stands off to contemplate her man_. MARTIN _watches them both, then
inspired, takes pencil and cardboard and begins to sketch._] Brown
is unutterably drab. It does the most terrible things to me. Put it
a little more forward. There--_I_ think that's stunning, Ted.
TED. This time of year the hat and coat would be seen together more
than the hat and suit.
KATE. That's right.--Put the coat on again, [TED _puts coat on
again, and poses with both hat and coat before the mirror._] I
don't know. Perhaps you're right.--If you really want to change the
hat, go ahead.
[_They continue posing_, KATE _angling the hat, etc., till_ MARTIN
_calls_ TED. _There has been a low knock._ MARTIN _turns his
sketch face down and opens the door. A middle-aged woman enters._]
CASE WORKER. Does Theodore Brooks live here?
MARTIN. Yes.
[_She walks in._]
CASE WORKER. Are you Mr. Brooks?
MARTIN. No.
CASE WORKER. Well, is he in?
MARTIN. Yes.
CASE WORKER. Please call him.
MARTIN. Hi, Ted! [TED _turns and_ CASE WORKER _looks at him. He
shows no recognition and does not start over._] This lady is
calling on you.
[TED _comes slowly, taking off his hat; he is still wearing the
coat._]
CASE WORKER. [_Impatiently._] I asked to see Theodore Brooks.
TED. Yes?
CASE WORKER. You are not Brooks.
TED. Yes. That's my name.
CASE WORKER. Theodore Brooks?--You!
TED. [_Uncomfortably._] What do you want, madam?
CASE WORKER. I am a case worker on relief applications.
TED. Oh!
CASE WORKER. Someone giving the name of Theodore Brooks and this
address applied for relief.
TED. Yes.
CASE WORKER. Did _you_ make that application?
TED. Yes.
CASE WORKER. Why?
TED. [_Squirming._] The usual reason--I suppose.
[_There is a pause in which one expects almost anything to
happen._]
CASE WORKER. [_With restraint._] Very well. I must ask you a few
questions. [_Her antagonism is felt all through._]
TED. I'll try to answer them. [_Desperately._] I needed relief or I
wouldn't have applied for it.
CASE WORKER. You feel you still need relief?
TED. I do.
CASE WORKER. Well ... Well, we'll go ahead. I have to fill my
records. Your name is Theodore Brooks.
[_She sits at table to fill out blanks_, TED _stands._]
TED. That's right.
CASE WORKER. Age?
TED. Twenty-eight.
CASE WORKER. Where born?
TED. New York City.
Public-domain text, read in full here on John Shaqi.
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