Classic French Course in EnglishWilkinson, William Cleaver
History
Classic French Course in English
Wilkinson, William Cleaver
French literature -- History and criticism
BOSSUET, BOURDALOUE, MASSILLON 182
XIII.
FÉNELON 205
XIV.
MONTESQUIEU 225
XV.
VOLTAIRE 238
XVI.
ROUSSEAU 255
XVII.
THE ENCYCLOPÆDISTS 282
XVIII.
EPILOGUE 288
INDEX 293
CLASSIC FRENCH COURSE IN ENGLISH.
I.
FRENCH LITERATURE.
Of French literature, taken as a whole, it may boldly be said that it
is, not the wisest, not the weightiest, not certainly the purest and
loftiest, but by odds the most brilliant and the most interesting,
literature in the world. Strong at many points, at some points
triumphantly strong, it is conspicuously weak at only one point,--the
important point of poetry. In eloquence, in philosophy, even in
theology; in history, in fiction, in criticism, in epistolary writing,
in what may be called the pamphlet; in another species of composition,
characteristically, peculiarly, almost uniquely, French,--the Thought
and the Maxim; by eminence in comedy, and in all those related modes of
written expression for which there is scarcely any name but a French
name,--the _jeu d'esprit_, the _bon mot_, _persiflage_, the _phrase_; in
social and political speculation; last, but not least, in scientific
exposition elegant enough in form and in style to rise to the rank of
literature proper,--the French language has abundant achievement to
show, that puts it, upon the whole, hardly second in wealth of letters
to any other language whatever, either ancient or modern.
What constitutes the charm--partly a perilous charm--of French
literature is, before all else, its incomparable clearness, its
precision, its neatness, its point; then, added to this, its lightness
of touch, its sureness of aim; its vivacity, sparkle, life; its
inexhaustible gayety; its impulsion toward wit,--impulsion so strong as
often to land it in mockery; the sense of release that it breathes and
inspires; its freedom from prick to the conscience; its exquisite study
and choice of effect; its deference paid to decorum,--decorum, we mean,
in taste, as distinguished from morals; its infinite patience and labor
of art, achieving the perfection of grace and of ease,--in one word, its
style.
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