French fiction -- Translations into English; Man-woman relationships -- Fiction; Young men -- Fiction
Winter is here: the air in the morning becomes fresher, and Paris puts
on her mantle of fog. This is the season of social soirées. Chilly lips
search for kisses; lovers, driven from the country, take refuge beneath
the mansardes, and, huddling together before the hearth, enjoy, amid the
noise of the rain, their eternal spring.
As for me, I live in sadness: I have the winter without the spring,
without a sweetheart. My garret, away up a damp staircase, is large and
irregular; the corners lose themselves in the gloom, the bare and
slanting walls make of the chamber a sort of corridor which stretches
out in the form of a bier. The wretched furniture, the narrow planks,
ill fitted and painted a horrible red color, crack funereally when they
are touched. Shreds of faded damask hang from the canopy of the bed, and
the curtainless window opens upon a huge black wall, never changing and
always repulsive.
In the evening, when the wind shakes the door and the walls are dimly
outlined by the flame of my lamp, I feel a sad and icy weariness press
upon me. I pause before the expiring fire on the hearth, before the ugly
brown roses on the wall paper, before the faïence vases in which the
last flowers have faded, and I imagine I hear everything complain of
solitude and poverty. This complaint is heart-rending. The entire
mansarde demands of me laughter, the riches of its sisters. The hearth
exacts a huge, joyous blaze; the vases, forgetting the snow, sigh for
fresh roses; the very air speaks to me of flaxen hair and white
shoulders.
I listen and cannot help feeling sorrowful. I have no chandelier to
suspend from the ceiling, no carpet to hide the irregular and broken
planks. And, when my chamber refuses to smile save upon a beautiful
white curtain, upon plain but shining furniture, I grow more sorrowful
still because I cannot satisfy it. Then it seems to me more deserted and
miserable than ever: the wind comes in colder gusts, the gloom grows
denser; the dust gathers in heaps on the floor, the wall paper tears
showing the plaster. There is a general pause, and, in the silence, I
hear the sobs of my heart.
Public-domain text, read in full here on John Shaqi.
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