Isbel Kelly had not always been Isbel Kelly. That is to say, she had
not always been unhappy. There was a time when Timothy Kelly had not
come into her life. Isbel Beattie was once a country girl. She had
sung in the morn as she went afield to call the dappled kine, as glad
a milkmaid as any in song or story. Her foot was the lightest in the
dance at the "kirn," her hand the deftest at the spinning-wheel, her
cheerful presence the most desired when the butter would not come. For
the butter ever comes fastest for a good-tempered woman. A vixenish
disposition only curdles the milk. That is why young men, landward
but wise, so eagerly offer to help the maids at the butter-making.
And no sweeter maiden than Isbel Beattie ever wore print gowns and
lilted "O whistle and I'll come to ye, my lad," in all the parish of
Ormiland—that is, till Timothy Kelly came, and Isbel sang no more.
Isbel Beattie was "fey," they said, and would take no advice. Lads
tight and trig stood in rows to wait for her as she came out of the
kirk, on fine Sabbath days when the lilac blossoms, white and purple,
were out, and there was a drooping sprig in every spruce bachelor's
coat. But Isbel passed them all by with a toss of her head. She could
have married a rather stupid young farmer of the best intentions and
unquestioned solvency had she so chosen. But Isbel was "fey," and would
take counsel from neither maid nor matron.
Now Timothy Kelly, the weasel-faced Irish harvestman, wormed himself
into the girl's affections by ways of his own, as before and after he
had undone many a trebly fastened door with his steel picklock.
From that day until the hour of her death Isbel Beattie saw no good
day. A week after they were married, Timothy Kelly was drinking Isbel's
last half-year's wages in a public-house, and Isbel was crying at home
with a bruised cheek. She sang no more late or early; but learned to
endure hardness and to pray that the kind Lord of whom she had heard in
the kirk, might send a swift and easy death as the best thing to pray
for.
Timothy Kelly was not long in Ormiland ere he removed to Edinburgh in
the interests of business. He needed the metropolis for the exercise of
his talents. So Isbel packed what he had left her, and followed him,
faithful and weary-foot, to the city lane, and Timothy Kelly cursed her
over his shoulder all the way. But she did not hear him, and his words
did not hurt her. God had stopped her ears. For the sound of a dearer
voice was in them, and the promise of the Eden joy answered Isbel, as
though the Lord Almighty walked with her through the streets of the
city in the cool of the day.
Public-domain text, read in full here on John Shaqi.
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