A week after an infant lay on the breast of Isbel Kelly, in a garret up Meggat's Close, off the Pleasance. A kindly neighbour looked in now and then when Tim Kelly was out, and comforted the young mother. When Tim came in he cursed them all impartially. His foul words sent the neighbours forth again, full of pity and indignation; and so he cast himself down to sleep off drink and temper on the couch of rags in the corner. Towered fair-faced Edinburgh and its seething under-world held no man like Timothy Kelly. A sieve-net might have been drawn through it and no worse rascal caught than he. Cruel only where he dared with impunity to be cruel, plausible and fawning where it was to his interest so to be, Timothy Kelly was a type of the criminal who lives to profit by the strange infatuations of the weakest women. From silly servant girls at kitchen doors who thought him "a most civil-spoken young man," he obtained the professional information which enabled him to make unrecognised but accurate lists of the family silver upon some stormy midnight, when the policemen stood in doorways, or perambulated the city with their helmets down upon their brows. Isbel Kelly wore thin and white, and the bruises on her face grew chronic, only occasionally changing the side. For in this matter Timothy Kelly had no weak partiality. Yet, in the midst of all, Cleg Kelly gained in years and strength, his mother many a time shielding him from blows with her own frail body. There was a soft light on her face when she looked at him. When her husband was out Isbel watched Cleg all day long as he lay on the bed and kicked with sturdy limbs, or sprawled restlessly about the house. The dwelling was not extensive. It consisted of one room, and Tim Kelly's "hidie holes," where he kept the weapons of his craft—curious utensils, with iron crab fingers set at various angles upon the end of steel stalks. Now, it is the strangest, yet one of the commonest, things in this world that Isbel Kelly loved her husband, and at the worst times said no word against him. It was a mistake. She ought to have outfaced him, insulted him, defied him, given him blow for blow. Then he might have been a reasonably decent husband, according to the standard of Meggat's Close. But Cleg Kelly made no such mistake. From the time that he was a toddling little fellow till the parish buried his mother, Cleg Kelly looked at his father with level brows of hate and scorn. No one had taught him; but the perception of youth gauged the matter unerringly. There are but two beings in the universe whom a really bad-hearted man cannot deceive: his Maker and a young child. Cleg Kelly never quailed before his father. Neither words nor blows daunted him. Whenever his father went out, he said: "Bad mannie gone away, minnie!" "Na, Cleg," said his mother, "ye mauna speak that way o' yer faither!" "Bad mannie, minnie!" Cleg repeated determinedly; "bad mannie gone away." And from this she could not move him.