which, after careful filtration, is poured over a well cleaned and
dusted glass plate. After draining a little by standing on blotting
paper, dry over a spirit lamp, and place, while still warm, under
a negative in the printing frame—one minute in the sun, 10 to 20
minutes in the shade, is about the necessary exposure. As previously
mentioned, the shorter the exposure, the denser will be the resulting
negative, a result at variance to any other photographic printing
operation. To develop the picture the glass plate is placed, coated
side upwards, upon a sheet of clean white paper, then, with a soft
camel-hair brush, dust over the picture some very finely-ground
Siberian graphite, working the same backwards and forwards over the
plate until the necessary strength is attained. If the picture should
develop too quickly, and take the colour all over, the cause is under
exposure; should the powder adhere unevenly, or the picture present a
smudgy appearance, the coating must have absorbed too much moisture,
and must be again warmed before further development. This precaution
is particularly necessary during the winter months. If a prolonged
development be necessary, and after continuous dusting a picture
lacking in contrast be the result, it is occasioned by over exposure.
On completion of the development the picture should be finally and
carefully dusted with a soft brush to remove the superfluous powder,
coated with a thin plain collodion, and placed in water, which should
be frequently changed, until it fails to show any trace of yellowness.
The plate should be afterwards retouched and varnished.
=Negative Films= have now been before the public some time, and
have been considerably used as reversed negatives by printing with
the back of the film in contact with the plate. The four principal
varieties are, in the order of their introduction—1st, Eastman’s; 2nd,
Froedman’s; 3rd, Pumphrey’s.
Public-domain text, read in full here on John Shaqi.
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