=Eastman’s Stripping Film= consists of a substantial paper coated
with a layer of soluble gelatine, upon which is spread a coating of
insoluble gelatine emulsion; they may be exposed in contact with a
sheet of glass in an ordinary dark slide in the film carriers or on
the roller slide. There are no special precautions necessary in the
development, except that no alum may be used previous to stripping. For
use as reversed negatives the ordinary operations are greatly shortened
and simplified. A sheet of plate glass is coated with collodion,
allowed to set, and then placed in a dish of cold water until all
greasiness has disappeared. After fixing and washing, the negative,
still supported upon the paper, is placed over the collodionised plate
in the same dish, and the two brought out face to face. Upon the back
of the negative paper place a piece of blotting paper, cover it with a
sheet of oiled paper—as used in copying letters—and apply the squeegee;
place a dry sheet of blotting paper upon the back of the film, cover
it with a sheet of glass or other flat surface, upon which place a
weight. In fifteen minutes the plate may be placed in warm water—about
130° F.—and in a short time the paper backing will float off. By gentle
washing with hot water remove the soluble gelatine from the film
resting upon the glass, and place the negative aside to dry. It is then
complete, and reversed.
=Froedman’s Films= consist entirely of gelatine, require no stripping,
and may be printed from either side. The film is somewhat difficult to
handle in the developer, and has to be dried by spirit. One feature
against their employment in Collotype is a yellow stain, which probably
arises from the bichromate with which the film is hardened, and
although more apparent where the negative is protected by the rebate of
the dark slide, it undoubtedly pervades the whole picture.
Public-domain text, read in full here on John Shaqi.
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