Architecture, Colonial; Architecture, Domestic -- North Carolina; Historic buildings -- North Carolina
Figure 62 shows the large front room of Wakefield, as restored and
furnished by the Colonial Dames. The room with one wall of plaster and
the other of wood, looks almost “modern.” The wood wall showed in the
plan as very thin, as we have noted. The similar wood partition on the
other side of the hall shows through the open door. To have covered
these partition walls with plaster would have been quite an additional
expense to the builder; and so one finds that the “modern” effect is in
reality a by-product of simple economy. Looking carefully at the open
door on the left, one notes the small wooden pegs which lock the
horizontal and vertical frame members together.
[Illustration: FIGURE 62. INTERIOR OF WAKEFIELD.]
CHAPTER V
Interiors
[Illustration: Fireplace]
The interior from Wakefield, just seen (figure 62), represents one idea
about how the walls of a room should be treated. There were other
schemes for the treatment of the main room of a house; some of these are
illustrated in figure 63 and in the following sketches.
In figure 63 parts of the great frame of a wooden house project
unashamedly through the smooth plaster walls and ceiling. Running across
the middle of the ceiling is the large center beam of the house. A
similar member along the outside edge of the ceiling might be expected
to continue all the way around the room as a cornice, but it does not.
At the floor line, however, a base board does continue around the room,
but it is heavier under the window wall. The chair rail (the board or
rail installed about the height of the back of chair, to protect the
plaster from damage) does continue around the room, but at the corner it
develops special bracing not employed where the rail joins the frame of
the door.
Such irregular features suggest a skeleton of the house going beyond the
present room. The builder of this dwelling was unconcerned if one wall
was different from another—perhaps he felt a keen satisfaction in the
wooden structure of his house and was pleased to have this framework
reflected in the interior. This spirit is occasionally seen in the less
important rooms of a colonial house (for example in the Palmer house),
but it is rarely found in the main rooms of extant colonial homes.
[Illustration: FIGURE 63.]
[Illustration: FIGURE 64.]
Public-domain text, read in full here on John Shaqi.
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