American fiction -- 19th century; Short stories, American
At this, her smile rippled into laughter; and she murmured something in
which I caught the words “youth” and “engaging candour.”
“Oh, I’m not so furiously young,” I protested.
She raised her eyebrows, gazing at me quizzically.
“Aren’t you?” she inquired.
“I’m twenty-two,” I announced, with satisfaction.
“Oh, dear!” She laughed again. “And twenty-two you regard as the
beginning of old age?” she suggested.
“At all events, one is no longer a child at twenty-two,” I argued
solemnly, “especially if one has seen the world a bit.”
My conversation appeared to divert her more than I could have hoped; for
still again she laughed.
Then, “Ah, wait till you’re my age—wait till you’re a hundred
and fifteen,” she pronounced in a hollow voice, making her face long,
and shaking her head.
It was my turn to laugh now. Afterwards, “I don’t believe you’re
much older than I am,” I confided to her, with bluff geniality.
“What’s the difference between twenty-two and thirty—especially
when one has seen the world a bit?” she asked.
“You’re never thirty,” I expostulated.
“An experienced old fellow of two-and-twenty,” she observed, “must
surely be aware that people do sometimes live to attain the age of
thirty.”
“You’re not thirty,” I reiterated.
“Perhaps not,” she said; “but unless I’m careful, I shall be,
before I know it. Have you been long in Rome?”
“Oh, I’m an old Roman,” I replied airily. “We used to come here
when I was a child. And I was here again when I was eighteen, and again
when I was twenty.”
“Mercy!” she cried. “Then you will be able to put me up to the
tricks of the town.”
“Why, but you live here, don’t you?” I wondered simply.
“Yes, I suppose I live here,” she assented. “I live in the Palazzo
Stricci, you must come and see me. I’m at home on Mondays.”
“Oh, thank you; I’ll come the very first Monday that ever is,” I
vowed. For, though she had teased me and laughed at me, I thought she
was very charming, all the same.
“Well, and how did you get on with the Countess Bracca?” Miss
Belmont asked. When I had answered her, she proceeded, as her wont
was, to volunteer certain information. “She was a Miss Wilthorpe, you
know—the Cumberland Wilthorpes, a staunch old Catholic family. Her
mother was a Frenchwoman, a Montargier. Monsignor Wilthorpe is her
cousin. Her husband, Count Bracca, held a commission in the Guardia
Nobile—between ourselves, a creature of starch and whalebone, a
pompous noodle. She was married to him when she was eighteen. He died
three or four years ago: a good thing too. But she has continued to
live in Rome, in the winter. In the summer she goes to England, to her
people. Did she ask you to go and see her? Go, on the first occasion.
Cultivate her. She’s clever. She’ll do you good. She’ll form
you,” Miss Belmont concluded, looking at me with a critical eye.
Public-domain text, read in full here on John Shaqi.
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