American fiction -- 19th century; Short stories, American
On Monday, at the Palazzo Stricci, I was ushered through an immense
sombre drawing-room, and beyond, into a gay little blue-and-white
boudoir. The Contessa was there alone. “I am glad you have come
early,” she was good enough to say. “We can have a talk together,
before any one else arrives.”
She wore a delightful white frock, of some flexile woollen fabric
embroidered in white silk with leaves and flowers. And I discovered that
she had very lovely hair, great quantities of it, undulating richly away
from her forehead; hair of an indescribable light warm brown, a sort of
fawn colour, with reflections dimly red. She was seated in the corner of
a sofa, leaning upon a cushion of blue satin covered with white lace. I
had not noticed her hair the other day at Miss Belmont’s, in the vague
candle-light. Now I could not take my eyes from it. It filled me with
astonishment and admiration.
“Oh,” I said—I suppose I blushed and stammered, but I had to say
it—“you—you must let me tell you—what—what wonderful hair you
have.”
The poor lady! She shook her head; she lay back in her place and
laughed. “Forgive me, forgive me for laughing,” she said.
“But—your compliment—it was a trifle point-blank—I was slightly
unprepared for it. However, you’re quite right. It’s not bad
hair,” she conceded amiably. “And it was very—very natural
and—and nice—of you to mention it. Now sit down here, and we will
have a good long talk,” she added. “You must tell me all about
yourself. We must get acquainted.”
There was always, perhaps, the tiniest point of raillery in that crisp
voice, in those gleaming eyes, of hers; but it did not prevent them
from being friendly and interested. She went on to ask me all manner
of friendly, interested questions, adopting, apparently as a matter of
course, the tone of maturity addressing ingenuous youth; and I found
myself somehow accepting that relation without resentment. Where had
I made my studies? What was I going to do in the world? She asked me
everything; and I, guilelessly, fatuously no doubt, responded. I imagine
I expatiated at some length, and with some fervour, upon my literary
aspirations, whilst she encouraged me with her kind-glowing eyes; and I
am afraid—I am afraid I even went so far as to allow her to persuade
me to repeat divers of my poems. In those days one wrote things one
fondly nicknamed poems. Anyhow, I know that I was enjoying myself
very much indeed—when we were interrupted by the entrance of another
caller.
Public-domain text, read in full here on John Shaqi.
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