American fiction -- 19th century; Short stories, American
Thanks to the heat, the windows were open wide; and through them one
could see, first, a vivid company of men and women, strolling backwards
and forwards, and chattering busily, in the electric glare on the
terrace; and then, beyond them, the sea—smooth, motionless, sombre;
silent, despite its perpetual whisper; inscrutable, sinister; merging
itself with the vast blackness of space. Here and there the black was
punctured by a pin-point of fire, a tiny vacillating pin-point of fire;
and a landsman’s heart quailed for a moment at the thought of lonely
vessels braving the mysteries and terrors and the awful solitudes of the
sea at night....
So that the voice of the croupier, perfunctory, machine-like, had almost
a human, almost a genial effect, as it rapped out suddenly, calling upon
the players to mark their play. “Marquez vos jeux, messieurs. Quarante
louis par tableau.” It brought one back to light and warmth and
security, to the familiar earth, and the neighbourhood of men.
One’s pleasure was fugitive, however.
The neighbourhood of men, indeed! The neighbourhood of some two score
very commonplace, very sordid men, seated or standing about an ugly
green table, intent upon a game of baccarat, in a long, rectangular,
ugly, gas-lit room. The banker dealt, and the croupier shouted, and the
punters punted, and the ivory counters and mother-of-pearl plaques were
swept now here, now there; and that was all. Everybody was smoking, of
course; but the smell of the live cigarettes couldn’t subdue the odour
of dead ones, the stagnant, acrid odour of stale tobacco, with which the
walls and hangings of the place were saturated.
The thing and the people were as banale, as unremunerative, as things
and people for the most part are; and dispiriting, dispiriting. There
was a hardness in the banality, a sort of cold ferocity, ill-repressed.
One turned away, bored, revolted. It was better, after all, to look at
the sea; to think of the lonely vessel, far out there, where a
pin-point of fire still faintly blinked and glimmered in the illimitable
darkness....
But the voice of the croupier was insistent.
“Faites vos jeux, messieurs. Cinquante louis par tableau. Vos jeux
sont faits? Rien ne va plus.” It was suggestive, persuasive, besides,
to one who has a bit of a gambler’s soul. I saw myself playing, I
felt the poignant tremor of the instant of suspense, while the result is
uncertain, the glow that comes if you have won, the twinge if you have
lost. “La banque est aux enchères,” the voice announced presently;
and I moved towards the table.
The sums bid were not extravagant. Ten, fifteen, twenty louis; thirty,
fifty, eighty, a hundred.
“Cent louis? Cent? Cent?—Cent louis à la banque,” cried the
inevitable voice.
I glanced at the man who had taken the bank for a hundred louis.
I glanced at him, and, all at once, by no means without emotion, I
recognised him.
Public-domain text, read in full here on John Shaqi.
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