American fiction -- 19th century; Short stories, American
“Victor Emmanuel, Garibaldi, Mazzini, Cavour—I knew them all; I knew
them well. I worked with them, fought under them, wrote for them, spoke
for them, throughout the long struggle for the unification of Italy. I
did so because unification is my supreme ideal, the grandest ideal
the human mind has ever formed. I worked for the unification of Italy,
because I was and am working for the unification of mankind, and the
unification of Italy was a step towards, and an illustration of, that
sublime object. Let others prate of civilisation; civilisation
means nothing more than the invention and multiplication of material
conveniences—nothing more than that. But unification—the unification
of mankind—that is the crusade which I have preached, the cause for
which I have lived. To unify the scattered nations of this earth into
one single nation, one single solidarity, under one government, speaking
one language, professing and obeying one religion, pursuing one aim.
The religion—Christianity, with a purified Papacy. The
government—anthropocratic philarchy, the reign of men by the law of
Love. The language—Albigo. Albigo, which means, at the same time, both
human and universal—from Albi, pertaining to man, and God, pertaining
to the whole, the all. Albigo: a language which I have discovered, as
the result of years of research, to exist already, and everywhere, as
the base, the common principle, of all known languages, and which I have
extracted, in its original simplicity, from the overgrowths which time
and separateness have allowed to accumulate upon it. Albigo: the tongue
which all men speak unconsciously: the universal human tongue. And,
finally, the aim—the common, single aim—the highest possible
spiritual development of man, the highest possible culture of the human
soul.”
That is what I received in response to my request for a few personal
reminiscences of Victor Emmanuel, Garibaldi, and Mazzini.
You will infer that Mr. Ambrose lacked humour. But his most conspicuous
trait, his preponderant trait—the trait which, I think, does more than
any other to explain him, him and his fortunes and his actions—was the
trait I had vaguely noticed in our first five minutes’ intercourse,
after my re-introduction to him; the trait which, I have conjectured,
perhaps gave its unsympathetic quality to his face: abstraction from his
surroundings and his company, inattention, indifference, to them.
On that first evening, you may remember, he had asked me certain
questions; but I had felt that he was thinking of something else. I had
answered them, but I had felt that he never heard my answers.
That little negative incident, I believe, gives the key to his
character, to his fortunes, to his actions.
Public-domain text, read in full here on John Shaqi.
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