American fiction -- 19th century; Short stories, American
After her crayfish were disposed of, P’tit-Bleu called for coffee and
lit a cigarette. And then, between whiffs and sips, she prattled gaily
of the subject which, of all subjects, she was probably best qualified
to treat, and which assuredly, for the time being, possessed most
interest for her listener—P’tit-Bleu. She told me, as it were, the
story of her birth, parentage, life, and exploits. It was the simplest
story, the commonest story. Her mother (la recherche de la paternité
est interdite), her mother had died when she was sixteen, and Jeanne
(that was her baptismal name, Jeanne Mérois) had gone to work in the
shop of a dressmaker, where, sewing hard from eight in the morning till
seven at night, with an hour’s intermission at noon, she could earn,
in good seasons, as much as two-francs-fifty a day. Two and a half
francs a day—say twelve shillings a week—in good seasons; and one
must eat, and lodge, and clothe one’s body, and pay one’s laundress,
in good seasons and in bad. It scarcely satisfied her aspirations, and
she took to dancing. Now she danced three nights a week at Bullier, and
during the day gave lessons in her art to a score of pupils, by which
means she contrived to keep the wolf at a respectful distance from her
door. “Tiens, here’s my card,” she concluded, and handed me
an oblong bit of pasteboard, on which was printed, “P’tit-Bleu,
Professeur de Danse, 22, Rue Monsieur le Prince.”
“And you have no lover?” questioned I.
She flashed a look upon me that was quite inexpressibly arch,
and responded instantly, with the charmingest little pout, “But
yes—since I’m supping with him.”
Public-domain text, read in full here on John Shaqi.
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