American fiction -- 19th century; Short stories, American
Thus my winter was far from a tranquil one, and before it was half over
I had three grey hairs. Honey and wormwood, happiness and heartburn,
reconciliations and frantic little tiffs, carried us blithely on to
Mi-Carême, when things reached a crisis....
Mi-Carême fell midway in March that year: a velvety, sweet, sunlit
day, Spring stirring in her sleep. P’tit-Bleu and I had spent the
day together, in the crowded, crowded streets. We had visited the
Boulevards, of course, to watch the triumph of the Queen of Washerwomen;
we had pelted everybody with confetti; and we had been pelted so
profusely in return, that there were confetti in our boots, in our
pockets, down our necks, and numberless confetti clung in the black
meshes of P’tit-Bleu’s hair, like little pink, blue, and yellow
stars. But all day long something in P’tit-Bleu’s manner, something
in her voice, her smile, her carriage, had obscurely troubled me;
something not easy to take hold of, something elusive, unformulable,
but disquieting. A certain indefinite aloofness, perhaps; an accentuated
independence; as if she were preoccupied with secret thoughts, with
intentions, feelings, that she would not let me share.
And then, at night, we went to the Opera Ball.
P’tit-Bleu was dressed as an Odalisque: a tiny round Turkish cap set
jauntily sidewise on her head, a short Turkish jacket, both coat and
jacket jingling and glittering with sequins; a long veil of gauze,
wreathed like a scarf round her shoulders; then baggy Turkish trousers
of blue silk, and scarlet Turkish slippers. Oh, she was worth seeing; I
was proud to have her on my arm. Her black crinkling hair, her dancing
eyes, her eager face and red smiling mouth—the Sultan himself might
have envied me such a houri. And many, in effect, were the envious
glances that we encountered, as we made our way into the great
brilliantly lighted ball-room, and moved hither and thither among
the Harlequins and Columbines, the Pierrots, the Toréadors, the
Shepherdesses and Vivandières, the countless fantastic masks, by whom
the place was peopled. P’tit-Bleu had a loup of black velvet, which
sometimes she wore, and sometimes gave to me to carry for her. I don’t
know when she looked the more dangerous, when she had it on, and her
eyes glimmered mysteriously through its peepholes, or when she had it
off.
Public-domain text, read in full here on John Shaqi.
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