And the very fact that Chinese has had to depend on placement of its monosyllables to express all the relations for which speech is called upon, instead of relying on changes of form, seems to have, and indeed has so stimulated the development of pure linguistic power that the language is actually as perfect and clear a medium of cultured and learned intercourse, as is the Sanskrit, the supreme type of the so-called most developed form, the inflectional. And by reason of its possession of the ideographic element it has a vividness which the Sanskrit has not. No language can be a highly developed one which does not provide in some way for the expression of all possible needed relations between the three fundamental postulates of life and activity--the self, the action and the world; and Chinese does this in spite of its monosyllabic structure by the development of its syntax of position. And it should be remembered further that Chinese syntax, in strict correspondence to the genius of the language, is not the same formal thing that syntax is with our inflectional tongues, but includes, or rather is primarily based on the _harmonic adjustment of the inherent basic ideas of or within the words_. The Chinese monosyllables are then not the naked separate things they are in the dictionary, but the whole phrase or sentence is on the contrary as much a unit as one of ours; and often more so. This integral unity of the whole sentence or expression, dominated by a perspective of ideas rather than of forms, which is achieved in Chinese by the elaboration of placement, is also characteristic of the structure of the languages of the American continent; but, these languages being polysyllabic, the vividness and unity are attained by a method described as Incorporation, whereby the accessories of relation are so included in or attached to the leading word that the whole expression assumes the form and sound of a single word. And a similar process takes place with the various elements of a compound sentence. So that although this one of the divisions of language approaches very closely to the Inflectional in its external forms, it yet has held to the vividness and essential characteristics of the ideographic method. And it is a point of the utmost importance for the decipherment of the Maya glyphs, to note as has been stated before, that their syntax of combination must follow that of the spoken language, which we know.