Comparative ReligionCarpenter, J. Estlin (Joseph Estlin)
Religion
Comparative Religion
Carpenter, J. Estlin (Joseph Estlin)
Religions
The transfer of souls through death from one kind of life to another
does not necessarily involve any moral change. The relations of earth
are resumed in the new scene. The ancient Celts who placed letters to
their friends on the pyre of a dead relative, or even expected to
receive in the next world the repayment of loans in this, conceived
existence hereafter on the same plane as the present, like the modern
Chinaman who celebrates the wedding of his spirit-son with the
spirit-daughter of a suitable friend, and thus brings peace to a
tormented house. The spirit-land of Ibo on the lower Niger had its
rivers and forests, its hills, and towns, and roads, below the ground
like those above, only more gloomy. In Tuonela, the land of the dead,
Finnic imagination pictured rivers of black water, {232} with
boisterous waterfalls and dangerous whirlpools, forests full of wild
beasts, and fields of grain which provided the death-worm with his
teeth; but it is still homely enough for Wainamoinen to find the
daughter of its ruler, Tuoni, god of death, busy with her washing. The
dead of the Mordvinians, a group of Ural-Altaic origin in the heart of
Russia, are believed to marry and beget children as on earth. Such
conceptions naturally resulted in a continuity of occupation, rank, and
service. The Spanish historian, Herrera, relates that in Mexico "every
great man had a priest or chaplain to perform the ceremonies of his
house, and when he died the chaplain was called to serve him in the
same manner, and so were his master of the household, his cup-bearer,
his dwarf, the deformed people he kept, and the brothers that had
served him, for they looked upon it as a piece of grandeur to be served
by them, and said they were going to keep house in the other world."
Yet in Mexico, as will be seen immediately, the differentiation of the
future lot had already begun.
Public-domain text, read in full here on John Shaqi.
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