The environment of women has long been such as tends to make them,
much more than men, the slaves of “_was uns alle bändigt, das
Gemeine_,” and therefore to win release from the commonplace was,
and still is, proportionately harder for a woman than for a man.
The prevailing notion that a woman must at all costs cultivate
the approval of the world lest she fail, through lack of it, to
manœuvre herself successfully into the only occupation that society
showed any cordiality about opening to her--this put a heavy premium
on dissimulation and artifice. Women have not dared freely to be
themselves, even to themselves. It was the effect of this constraint
that Stendhal noted when he remarked that “the reason why women, when
they become authors, rarely attain the sublime, ... is that they never
dare to be more than half candid.”
It can not be gainsaid that the east wind of indifference which has
chilled the fire of many a masculine artist who found himself part of
an age indifferent to his order of talent, has always blown its coldest
upon the woman who essayed creative work. The woman who undertakes to
achieve artistic or intellectual distinction in a world dominated by
men, finds herself opposed by many disabling influences. In an earlier
day she had to endure being thought unwomanly, freakish, or wicked
because she dared venture outside the limited sphere of sexuality that
had been assigned to her. Now her presence in the field of spiritual
endeavour is taken quietly; but she is constantly meeting with the
tacit assumption, which finds expression in a thousand subtle ways,
that her work must be inferior on account of her sex.[7] Again, the
idea that marriage and reproduction constitute an exclusive calling
and are really the natural and proper calling for every woman, still
has general currency; and the very fact that a vast majority of women
tacitly acquiesce in this idea, constitutes a strong pull upon the
individual towards the orthodox and expected. Human beings are always
powerfully drawn to be like their fellows; to be different requires
a somewhat uncommon independence of spirit and toughness of fibre,
and the fewer the individuals who attempt it, the more independence
and tenacity it requires. “The fewer there be who follow the way to
heaven,” says the author of the Imitation, “the harder that way is to
find.”
Public-domain text, read in full here on John Shaqi.
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