The position of woman in creative work the world over is analogous to that of the man in America who ventures into the arts: he will be tolerated; he may even be respected; but he will not find in his environment the interest and encouragement that will help to develop his talents and spur him to his best efforts. He may get sympathy and encouragement from individuals; but his environment as a whole will not yield what Sylvia Kopald has well termed the “tolerant expectancy” which nourishes and develops genius. In American civilization the prevailing ideal for men is business--material success; and our people retain, as Van Wyck Brooks has pointed out, the suspicious dislike and disregard which the pioneer community displays towards the individual whose governing ideals take a different line of development from those of his fellows. The artist, therefore, is likely to be looked upon as a queer being who loses something of his manhood by taking up purely cultural pursuits, unless and until, indeed, he happens to make money by it. Yet one never hears the intimation that because no Shakespeare or Raphael has ever yet appeared in this country, none ever will. Very well--imagine instead the prevailing ideal to be domesticity, and you perceive at once the invidious position of the woman artist in an exclusively or dominantly masculine civilization. But what if the emergence of genius does not depend so much on variability as upon the degree of spiritual freedom that the environment allows, and the amount and kind of culture that is current in it? “The number of geniuses produced in a nation,” says Stendhal, “is in proportion to the number of men receiving sufficient culture, and there is nothing to prove to me that my bootmaker has not the soul to write like Corneille. He wants the education necessary to develop his feelings and teach him to communicate them to the public.” The fact that prominent men of science accept the theory that genius is explained by variability, along with a number of conclusions which they have seen fit to draw from it, is no reason why their view should be considered final. Whole schools of scientists have before now gone wrong in the ticklish business of making speculative generalizations; they may go wrong again, for men of science are human, and may not be supposed to live wholly above the miasma arising from the stagnant mass of current prepossessions. So long as the apparent dearth of female genius may be satisfactorily accounted for on other grounds, one is under no compulsion to accept the theory that it is due to a natural and inescapable tendency toward mediocrity. When regarded fairly, indeed, this theory has something of an _ad captandum_ character; it is not in itself disingenuous, perhaps, but it lends itself with great ease to an interested use. It offers strong support, for example, to an advocacy of an actual qualitative difference in the education of men and women.