Coningsby; Or, The New GenerationDisraeli, Benjamin, Earl of Beaconsfield
General
Coningsby; Or, The New Generation
Disraeli, Benjamin, Earl of Beaconsfield
Great Britain -- Fiction; Political fiction; Politicians -- Fiction
‘No ecclesiastical revenues should be safe that require protection.
Modern history is a history of Church spoliation. And by whom? Not by
the people; not by the democracy. No; it is the emperor, the king, the
feudal baron, the court minion. The estate of the Church is the estate
of the people, so long as the Church is governed on its real principles.
The Church is the medium by which the despised and degraded classes
assert the native equality of man, and vindicate the rights and power
of intellect. It made, in the darkest hour of Norman rule, the son of
a Saxon pedlar Primate of England, and placed Nicholas Breakspear, a
Hertfordshire peasant, on the throne of the Caesars. It would do as
great things now, if it were divorced from the degrading and tyrannical
connection that enchains it. You would have other sons of peasants
Bishops of England, instead of men appointed to that sacred office
solely because they were the needy scions of a factitious aristocracy;
men of gross ignorance, profligate habits, and grinding extortion, who
have disgraced the episcopal throne, and profaned the altar.’
‘But surely you cannot justly extend such a description to the present
bench?’
‘Surely not: I speak of the past, of the past that has produced so much
present evil. We live in decent times; frigid, latitudinarian, alarmed,
decorous. A priest is scarcely deemed in our days a fit successor to the
authors of the gospels, if he be not the editor of a Greek play; and he
who follows St. Paul must now at least have been private tutor of
some young nobleman who has taken a good degree! And then you are
all astonished that the Church is not universal! Why! nothing but the
indestructibleness of its principles, however feebly pursued, could have
maintained even the disorganised body that still survives.
Public-domain text, read in full here on John Shaqi.
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