Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
When the Turks took possession of the city, this magnificent work of
Grecian art escaped their notice, and remained unexplored and unknown
till the time of Gillius, who was in Constantinople in 1550. He appears
to be the first who discovered and described this curious subterranean
edifice; and so ignorant were the Turks then of its existence, that the
houses in the streets above drew water from it, and knew not whence it
came. From that time the memory of it was again lost; and travellers,
taking Gillius for their guide in exploring the city, searched for this
curiosity in vain; and some pronounced that it had no existence, or was
confounded with some other. In this state it remained for two centuries
more, till Andreossi, the French ambassador, discovered and described
it. Again the mysterious edifice was lost, and Janissaries attending
travellers as guides could give them no clue to discover it,−-this
singular and magnificent excavation appearing and disappearing to human
sight, like some enchanted palace in Oriental fiction. Finally, it
was searched for by a Frank resident of Pera, and, after two years’
diligent inquiry, was at length discovered by him, under the foundation
of a private house, in a remote and obscure street. Part of a wall had
fallen in, and discovered to the astonished proprietor innumerable
marble columns, of various orders of architecture, rising out of a
vast lake of water, and supporting a lofty arched roof, on which his
house stood. From that time, easy access has been afforded to it; every
stranger visits it; and there is no probability that the Turks, now so
much more enlightened and inquisitive, will again suffer the memory of
this noble work of Grecian art to perish among them.
As we have already mentioned this cistern with others, we refer to our
former notice. We will merely add, that the actual extent and beauty,
though sufficiently great to excite our admiration, are extravagantly
exaggerated by the credulous Turks, who now begin to regard it with awe
and astonishment. Some places at a considerable distance have fallen
into other subterranean cavities, and they are asserted to be parts
of this cistern not yet explored. The number of columns is nearly the
same as that of the Bin bir Derek, and both excavations are supposed
to be of the same extent. But the proprietor of the house, through
which is the only known access, tells of fearful perils encountered
by intrepid navigators, who attempted to explore this inland sea; of
lost adventurers, who never returned to tell them; and, in the still
unchanged spirit of a Turk, relates as true all the figments of an
Oriental imagination.
[Illustration: T. Allom. S. Fisher.
KIZ-KOULASI.−-LEANDER’S, OR THE MAIDEN’S TOWER.
ON THE BOSPHORUS.]
Public-domain text, read in full here on John Shaqi.
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