Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
The patriarchal church at Phanar is the most interesting place to see
the ceremonies of Easter morning. They are not for every one to see, by
reason of the smallness of the church. One must have a friend at court in
order to obtain a ticket of admission. Even then one may miss, as I once
did through ignorance, and perhaps through a lack of that persistence
which should be the portion of the true tourist, certain characteristic
scenes of the day. Thus I failed to witness the robing of the Patriarch
by the prelates of his court. Neither did I get a photograph of them
all marching in procession to the church, though I had moved heaven
and earth—_i. e._, a bishop and an ambassador—for permission to do so.
Nevertheless, I had an excellent view of the ceremony of the second
resurrection, as the Easter morning vespers are called. The procession
entered the church led by small boys in white and gold who carried a
tall cross, two gilt _exeptérigha_ on staves, symbolic of the six-winged
cherubim, and lighted candles. After them came choristers singing. The
men wore a species of fez entirely covered by its spread-out tassel. One
carried an immense yellow candle in front of the officiating clergy, who
marched two and two in rich brocaded chasubles. Their long beards gave
them a dignity which is sometimes lacking to their Western brothers,
while the tall black _kalymáfhion_, brimmed slightly at the top with a
true Greek sense of outline, is certainly a more imposing head-dress than
the biretta. The Patriarch came next, preceded and followed by a pair
of acolytes carrying two and three lighted candles tied together with
white rosettes. These candles symbolise the two natures of Christ and the
Trinity; with them His Holiness is supposed to dispense his blessing.
He wore magnificent vestments of white satin embroidered with blue and
green and gold. A large diamond cross and other glittering objects hung
about his neck. In his hand he carried a crosier of silver and gold and
on his head he wore a domed crown-like mitre. It was surmounted by a
cross of gold, around it were ornaments of enamel and seed pearls, and
in the gold circlet of its base were set immense sapphires and other
precious stones. The Patriarch was followed by members of the Russian
embassy, of the Greek, Montenegrin, Roumanian, and Servian legations,
and by the lay dignitaries of his own entourage, whose uniforms and
decorations added what they could to the splendour of the occasion. These
personages took their places in the body of the nave—standing, as is
always the custom in the Greek Church—while the clergy went behind the
screen of the sanctuary. The Patriarch, after swinging a silver censer
through the church, took his place at the right of the chancel on a high
canopied throne of carved wood inlaid with ivory. He made a wonderful
picture there with his fine profile and long white beard and gorgeous
vestments. On a lower and smaller throne at his right sat the Grand
Logothete.
Public-domain text, read in full here on John Shaqi.
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