Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Statues, many of them the work of the finest chisels of antiquity, had
been collected from all parts of the Empire to make the new capital a
museum of art, and to foster the love of the beautiful. Historical
monuments also were there, to suggest the continuity between the past
and the present, and to rouse the men of a new age to emulate the noble
deeds of the old time before them. Of these monuments none was so
inspiring as the Serpent Column brought from Delphi to the Hippodrome,
upon whose lowest thirteen coils are graven the names of the heroic
little States which hurled the Persians out of Greece. No monument stood
more appropriately in a city whose supreme task was to resist the
encroachments of barbarism upon the civilised world. Scattered over the
city were palatial mansions, some erected at the Emperor’s order for
personages whom he wished to attract to the new capital, others built by
men of wealth and rank who had come of their own accord to bask in the
sunshine of imperial favour. Persons belonging to other classes of
society had also been attracted in crowds by openings for business,
demand for labourers, exemption from certain taxes, and by the free
distribution of bread, for which the cornfields of Egypt furnished
80,000 modii of wheat. After the pattern of Rome, the good order of
the city was secured by the division of the city into fourteen wards or
regions, of which twelve lay within the walls, and two were suburban.
One of the latter, the 13th ward, was on the site of Galata; the other,
the 14th ward, the famous suburb of Blachernæ, stood on the hill now
occupied by the quarter of Egri Kapou. Both of these extra-mural suburbs
were fortified. Each ward had a curator, who attended to the general
interests of that portion of the city; a crier or messenger to give
public notice to its inhabitants of matters which concerned them; five
night watchmen; and a body of men (colligiati) representing the
trade-guilds, and varying in number according to the size or importance
of the ward, to render assistance in case of fire. After this survey of
the new city, the most loyal son of the old town might come to the
ancient Strategion--the ground devoted to military exercises (on the
level tract beside the present Stamboul Railway Station)--and gladly bow
to the decree inscribed on a column erected there, that Byzantium should
henceforth be named New Rome.
[Illustration: THE GALATA BRIDGE
which spans the Golden Horn at the end near the Bosporus forms the
principal link between Galata and Stamboul. It is presented here as seen
through a window in a small café on one of the adjoining steamboat
quays.]
CHAPTER II
THE MAKING OF CONSTANTINOPLE, UNDER THE EMPERORS CONSTANTIUS, JULIAN,
VALENS, THEODOSIUS THE GREAT, AND ARCADIUS.
337-408 A.D.
Public-domain text, read in full here on John Shaqi.
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