Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
AFTER visiting the sights of Rome, the Persian prince Hormisdas was
asked to give his impressions of the city. “One thing disappoints me,”
he replied, “men die here just as in the humblest village of the
Empire.” So was it in New Rome. Seven years after the inauguration of
the city he founded, Constantine the Great died in the neighbourhood of
Nicomedia. His body was carried to Constantinople in a golden coffin,
and, amid demonstrations of public grief, was laid to rest in a
sarcophagus of porphyry in the Church of the Holy Apostles. The tomb was
flanked by twelve pillars, representing, so the fact was construed, the
glorious company of the Apostles, with whom he could fitly be
associated as the champion of the Christian faith. The good that men do
is, however, not always interred with their bones, and Constantinople
remained to attest the far-sighted wisdom of its founder, and to grow in
splendour and importance. But one hundred and ten years had to come and
go ere the city attained its full stature. It is the history of the
growth of Constantinople during this period that will now engage our
attention.
[Illustration: A CEMETERY BY THE BOSPORUS]
Upon the death of Constantine, the eastern division of the Empire came
under the rule of his second son, Constantius, who soon discovered how
much work upon the new seat of government remained to be done. Nor could
his visit to Old Rome fail to impress upon his mind the greatness and
the difficulty of the task before him. “Having entered,” says the
historian, Ammianus Marcellinus, speaking of that visit of Constantius,
“the Forum of Trajan, the most marvellous structure in the whole world,
he was struck with admiration, and looked around in amazement without
being able to utter a word, wondering at the array of gigantic
buildings, which no pen can describe, and which men can create and see
but once in the course of centuries. Abandoning all hope of ever being
able to erect anything which would approach even at a respectful
distance Trajan’s work, he turned his attention to the equestrian
statue found in the centre of the Forum, and said to his followers that
he would have one made like it. Hormisdas, who accompanied the Emperor,
quietly remarked, pointing to the Forum, ‘For such a horse, you must
first provide such a stable.’”
Public-domain text, read in full here on John Shaqi.
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