Novelists, Russian; Russian fiction -- History and criticism
"Silence" also shows us a priest, stubborn in his prejudices. This
man, Father Ignatius by name, is a sort of rude and authoritative
Hercules. All tremble before his stern air, except his daughter, who
has decided to continue her studies in St. Petersburg, against the
will of her father. Coming back to her home after a long absence,
she wanders about, sad and silent. For days at a time she wanders
about, pale and melancholy, speaking little, seeking solitude. She
hides what oppresses her; she keeps her secret from all. One night,
she throws herself under a train, taking her secret with her.
Her grief-stricken mother gets a paralytic stroke which transforms
her into a sort of living corpse. The father, crushed by these two
catastrophes, which have destroyed all the joy of his life, becomes
the prey of a singular mental state: his conscience revolts against
the severe maxims and the pitiless prejudices that he has always
defended. Tender love, which he has hitherto concealed under his
pride, now softens him; he needs affection, and a vague feeling
suggests to him that he himself is to blame for all of these
misfortunes. His past life, his daughter, and his wife appear to
him as so many enigmas which raise anguishing questions in his
heart. He calls out, but no one answers. A death-like silence has
invaded the presbytery, and this silence is especially dreadful near
the paralyzed wife, who is dying without speaking. Even her eyes do
not betray a single thought. Gradually, a terrible desire to know
why his daughter committed suicide seizes him. At twilight, softly,
in his bare feet, he goes up to the room of his dead daughter and
speaks to her. He entreats her to tell him the truth, to confess to
him why she was always so sad, why she has killed herself. Only the
silence answers him. Then he rushes to the cemetery, where his
daughter's tomb irresistibly attracts him; again he implores, begs,
threatens. For a moment he thinks that a vague answer arises from
the earth; he places his ear on the rough turf.
"Vera, tell me!" he repeats in a loud and steady voice.
"And now Father Ignatius feels with terror that something
sepulchrally cold is penetrating his ear and congealing his brain;
it is Vera, who is continually answering him with the same prolonged
silence. This silence becomes more and more sinister and restless,
and when Father Ignatius arises with an effort, his face is as livid
as death."
Public-domain text, read in full here on John Shaqi.
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