Novelists, Russian; Russian fiction -- History and criticism
The great desire of the three sisters is to go to Moscow, but their
apathy keeps them in the country, and they continue to vegetate
while philosophizing about everything that they see. However, at the
arrival of a regiment, they become animated, and have sentimental
intrigues with the officers till the very day of their departure.
"They are going to leave; we shall be alone; the monotonous life is
going to begin again," cries one of the sisters.
"We must work; work alone consoles," says the second.
And the youngest exclaims, embracing her two sisters, while the
military band plays the farewell march:
"Ah, my dear sisters, your life is not yet completed. We are going
to live. The music is so gay! Just a little bit more, and I feel
that we shall know why we live, why we suffer...."
This certainly is the dominant note of Tchekoff's philosophy: the
impotency of living mitigated by a vague hope of progress.
The last, and perhaps the most important play of Tchekoff, is "The
Cherry Garden."[4] Human beings, locked up in themselves, morally
bounded, impotent and isolated, wander about in the old seignioral
estate of the Cherry Garden. The house is several centuries old. In
former times a happy life was led there; feasts were given, and
generals and princes were the hosts. The Cherry Garden gave tone to
the neighborhood, but many years have passed!... Now other houses
have taken its place: the estate is mortgaged, the interest is not
paid, and the only guests now are the postman or a railway official
who lives close by. The occupants of the house do not think of doing
anything about this state of things. For them the past is gone. All
that is left is a dislike for work, carelessness, improvidence, and
ignorance of the necessities of the present. Like all that dies,
they evoke a certain pity, a certain fatality hangs over them. The
inhabitants of the Cherry Garden set forth their ideas about one
another; but in reality none of them see anything but themselves, in
their small and very limited moral world, and they analyze with
difficulty the embryos of thought that are left to them. Thus, they
cannot grasp in full the evil that is falling on the old home, and
they remain impassive when some one proposes to alleviate this evil
by energetic means. People speak to them of the downfall to which
they are doomed; a means of safety is proposed, but they turn a deaf
ear and continue in their narrow and fruitless dream. Finally, when
the estate is sold, they look upon this event as a fatal and
unexpected blow. They say good-bye to the cradle of their family,
weeping silently, and depart.
Public-domain text, read in full here on John Shaqi.
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