Novelists, Russian; Russian fiction -- History and criticism
Very naturally, the first Russian authors came from the class of
proprietors, rural lords, who were the most intelligent, not to say
the only intelligent people. In general, the life of the lord was
barely distinguishable from that of the peasant. As he was usually
reared in the country, he passed his childhood among the village
children; the people most dear to his heart, often more dear to him
than his father or mother, were his nurse and the other
servants,--simple people, who took care of him and gave him the
pleasures of his youthful existence. Before he entered the local
government school, he had been impregnated with goodness and popular
poetry, drawn from stories, legends, and tales to which he had been
an ardent listener. We find the great Pushkin dedicating his most
pathetic verses to his old nurse, and we often see him inspired by
the most humble people. In this way, to the theoretic democracy
imported from Europe is united, in the case of the Russian author, a
treasure of ardent personal recollections; democracy is not for him
an abstract love of the people, but a real affection, a tenderness
made up of lasting reminiscences which he feels deeply.
This then was the mental state of the most intelligent part of this
Russian nobility, which showed itself a pioneer of the ideas of
progress in literature and life. There were even singular political
manifestations produced. Rostopchin said: "In France the shoemakers
want to become noble; while here, the nobles would like to turn
shoemakers." But, in spite of all, the greater part of this caste,
with its essential conservative instincts, was nothing more than an
inert mass, without initiative, and incapable even of defending its
own interests except by the aid of the government.
Rostopchin did not suspect the profound truth of his capricious
saying.
Public-domain text, read in full here on John Shaqi.
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