Exactly those graces and charms of manner which are remembered in the
words we have quoted, were remembered by the author of the work of
fiction in question, when he drew the character in question. Above all
other things, that “sort of gay and ostentatious wilfulness” in the
humouring of a subject, which had many a time delighted him, and
impressed him as being unspeakably whimsical and attractive, was the airy
quality he wanted for the man he invented. Partly for this reason, and
partly (he has since often grieved to think) for the pleasure it afforded
him to find that delightful manner reproducing itself under his hand, he
yielded to the temptation of too often making the character _speak_ like
his old friend. He no more thought, God forgive him! that the admired
original would ever be charged with the imaginary vices of the fictitious
creature, than he has himself ever thought of charging the blood of
Desdemona and Othello, on the innocent Academy model who sat for Iago’s
leg in the picture. Even as to the mere occasional manner, he meant to
be so cautious and conscientious, that he privately referred the proof
sheets of the first number of that book to two intimate literary friends
of Leigh Hunt (both still living), and altered the whole of that part of
the text on their discovering too strong a resemblance to his “way”.
He cannot see the son lay this wreath on the father’s tomb, and leave him
to the possibility of ever thinking that the present words might have
righted the father’s memory and were left unwritten. He cannot know that
his own son may have to explain his father when folly or malice can wound
his heart no more, and leave this task undone.
THE TATTLESNIVEL BLEATER
THE pen is taken in hand on the present occasion, by a private individual
(not wholly unaccustomed to literary composition), for the exposure of a
conspiracy of a most frightful nature; a conspiracy which, like the
deadly Upas-tree of Java, on which the individual produced a poem in his
earlier youth (not wholly devoid of length), which was so flatteringly
received (in circles not wholly unaccustomed to form critical opinions),
that he was recommended to publish it, and would certainly have carried
out the suggestion, but for private considerations (not wholly
unconnected with expense).
The individual who undertakes the exposure of the gigantic conspiracy now
to be laid bare in all its hideous deformity, is an inhabitant of the
town of Tattlesnivel—a lowly inhabitant, it may be, but one who, as an
Englishman and a man, will ne’er abase his eye before the gaudy and the
mocking throng.
Public-domain text, read in full here on John Shaqi.
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