Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
This is not a shrinking, innocent heart,
even to itself unknown such as, I doubt not, beats in the bosom of the
English girl to whom my father destined me."
Lucy Edgarmond was the daughter of his parent's best friend; but too
young, when he left England, for him to marry her, or even foresee what
she might one day become.[1]
CHAPTER II.
Oswald and Corinne went first to the Pantheon, now called Santa Maria
of the Rotunda. Throughout Italy the Catholic hath been the Pagan's
heir; but this is the only antique temple in Rome which has been
preserved entire; the only one wherein we may behold, unimpaired, the
architecture of the ancients, and the peculiar character of their
worship.
Here they paused to admire the portico and its supporting columns.
Corinne bade Oswald to observe that this building was constructed in
such a manner as made it appear much larger than it was. "St. Peter's,"
she said, "produces an opposite effect: you will, at first, think it
less vast than it is in reality. The deception, so favorable to the
Pantheon, proceeds, it is conceived, from the great space between the
pillars, and from the air playing so freely within; but still more from
the absence of ornament, with which St. Peter's is overcharged. Even
thus did antique poetry design but the massive features of a theme,
leaving the reader's fancy to supply the detail: in all affairs we
moderns say and do too much. This fane was consecrated by Agrippa,
the favourite of Augustus, to his friend, or rather, his master, who,
however, had the humility to refuse this dedication; and Agrippa was
reduced to the necessity of devoting it to all the gods of Olympus,
and of substituting their power for that of one earthly idol. On the
top of the Pantheon stood a car, in which were placed the statues of
Augustus and Agrippa. On each side of the portico similar effigies
were displayed, in other attitudes; and over the front of the temple
is still legible: "Consecrated by Agrippa." Augustus gave his name
to the age in which he lived, by rendering it an era in the progress
of human intellect. From the _chefs-d'œuvres_ of his cotemporaries
emanated the rays that formed a circling halo round his brow. He knew
how to honor men of letters in his own day; and posterity, therefore,
honors him. Let us enter the temple: it is said that the light which
streams in from above was considered the emblem of a divinity superior
to the highest divinities. The heathens ever loved symbolical images;
our language, indeed, seems to accord better with religion, than with
common parlance. The rain often falls on the marbles of this court,
but the sunshine succeeds to efface it. What a serene, yet festal air
is here! The Pagans deified life, as the Christians sanctify death;
such is the distinction between the two faiths; but Catholicism here
is far less gloomy than in the north, as you will observe when we
visit St. Peter's. In the sanctuary of the Pantheon the busts of our
Public-domain text, read in full here on John Shaqi.
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