Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
most celebrated artists decorate the niches once filled by ideal
gods. Since the empire of the Cæsars, we have scarce ever boasted any
political independence; consequently, you will find no statesmen, no
heroes here. Genius constitutes our only fame; but do you not think,
my Lord, that a people, who thus revere the talents still left amongst
them, must deserve a nobler destiny?"--"I believe," replied Oswald,
"that nations generally deserve their own fates, be they what they
will."--"That is severe! but, perhaps, by living in Italy, your heart
may soften towards the fair land which nature has adorned like a victim
for sacrifice. At least remember, that the dearest hope the lovers of
glory cherish is that of obtaining a place here. I have already chosen
mine," she added, pointing to a niche, still vacant. "Oswald, who knows
but you may one day return to this spot, when my bust----". "Hold!"
interrupted he; "can you, resplendent in youth and beauty, talk thus
to one whom misfortune even now is bending towards the grave?"--"Ah!"
exclaimed Corinne, "the storm may in a moment dash down flowers that
yet shall raise their heads again. Oswald, dear Oswald! why are you
not happy?"--"Never ask me," he replied; "you have your secrets, and
I mine: let us respect our mutual silence. You know not what I should
suffer, if forced to relate my distresses." Corinne said no more; but
her steps, as she left the temple, became slow, and her looks more
pensive.
She paused beneath the portico. "There," she said, "stood a porphyry
urn of great beauty, now removed to St. John Lateran; it contained the
ashes of Agrippa, which were deposited at the foot of the statue he
had erected to himself. The ancients lavished such art on sweetening
the idea of destruction, that they succeeded in banishing all its most
dreary and alarming traits. There was such magnificence in their tombs,
that the contrast between the nothingness of death and the splendors
of life was less felt. It is certain, too, that the hope of another
world was far less vivid amongst them than it is with Christians. They
were obliged to contest with death, the principal which we fearlessly
confide to the bosom of our eternal Father."
Oswald sighed, and spoke not; melancholy ideas have many charms, when
we are not deeply miserable; but while grief, in all its cruelty,
reigns over the breast, we cannot hear, without a shudder, words which,
of old, excited but reveries not more sad than soothing.
[1] In the original, Lucile Edgermond: but as neither of these names
are English, and the latter capable of a very ignoble pronunciation, I
have taken the liberty to alter both.--TR.
CHAPTER III.
Public-domain text, read in full here on John Shaqi.
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