Cornwall (England : County) -- Description and travel
Leaving the castle on the mainland we come very quickly to the "little
grey church on the windy hill" with its graveyard wall almost swallowed
up in rising grass and turf, and some of the tombstones heavily
buttressed against the prevailing winds. The church tower must have
formed a mark for generations to men of the sea. It stands up straight
and bleak with never a tree to hide it. The entrances to the graveyard
are over a pavement of round stone bars placed a few inches apart so
that the cattle dare not cross them for fear of slipping in between with
their narrow hoofs. There are many marks of great age inside the
building and the grey stone walls, that have been many times restored,
have heard the strong west winds whistling round them from the sea and
moaning the tale of the wrecks on the coast for many generations.
All along this coast are steep descents and strange rock freaks. To the
north, across the gully leading down to Tintagel Castle, there is a
mighty fracture which has split asunder a huge angle of rock, that looks
as if it only needed a giant push to thrust it back into the fracture,
closely fitting. Yet the chasm below is so sheer and stern that no one
can climb up the sides. The sea-birds know it. It was a happy chance for
them that made this citadel free from the sullying steps of man, and the
steep slopes of brilliant green amid the bare rock surfaces are peppered
all over with them as if with a handful of comfits.
The wild music of a host of gulls is the bagpipes of the coast, and
arouses the same feelings in the breast of the sea-lover as the pipes do
in that of a Scotsman. It is associated with the sound of the surge and
the deadly thrust and heavy swell at the foot of the tough cliff. These
things tug at the heart of a sea-lover. Lying amid the prickly furze,
sheltered for a moment from the deadly wind-whistle, and gazing across
that unscalable chasm, we have before us that gull-fortress exactly as
it and its kind have been reproduced on the canvas of a well-known
painter many many times. What business has he to do the thing so well
that we are familiarized with the stern beauty of the haunts of the
freest of birds, and feel when we see them in Nature that half the charm
has been forestalled by the blunting of our sensibility?
It is no easy task to scramble along these rough cliff edges, and one
not to be undertaken by cripples or invalids.
Not very far is one of the valleys so attractive to the Cornish folk,
who find in them the growth and snugness that contrast so impressively
with their bleak uplands.
Public-domain text, read in full here on John Shaqi.
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